2017 Mid-Year Report, Part Deux: Managing the Overflow

immortal band
*there is no Immortal in this list.  I just really like the pic.

The style and format of the Nine Cirles ov… articles is such that we limit ourselves to nine entries on whatever topic it is we’re blathering about.  It’s a blessing and a curse: it really helps hone down what you want to cover but, as in the case of this week’s mid-year favorites it can really kill your groove, particularly when there’s so much awesome to cover in the first half of the year.

And man there’s SO MUCH GOOD STUFF OUT THERE.  Someone on Twitter mentioned how he dug the list for the simple reason that none of my choices would have made his list.  Now, after you pick yourself up off the floor in shock that sometimes (rarely, admittedly) social media can be a sensible and warm community, revel in the fact that this just reinforces the amount of quality out there so far in 2017.  So, you all good with a second course?  Let’s dig in… Continue reading

Album Review: Twilight Fauna – “The Year the Stars Fell”

twilight-fauna-stars-fell

Push away the tags, move past the labels and niches of “Appalachian metal” and “black/neofolk” that have been used to describe Twilight Fauna and artist Paul Ravenwood over the years. The concept of music recalling and communicating a sense of place, of community and time is well and good and entirely accurate, but there’s another layer to what Ravenwood is unraveling for the listener in Twilight Fauna’s latest, The Year the Stars Fell. By weaving his musical heritage into his own personal history Ravenwood exposes a raw nerve of grief and tragedy, a painful narrative buried deep under a foundation of feedback waiting for someone to take the time to dig.   Continue reading