And then we’ll hop over to Converge, who have announced a new collaborative album, Bloodmoon: 1. That project will feature the likes of Chelsea Wolfe, Ben Chisholm, and Stephen Brodsky, which is awesome. That’s also a November 19th release, through Epitaph Records. Check out the lead track, “Blood Moon”, right here.
Swallow the Sun have announced a U.S. tour scheduled for this coming November and December. Support will be in the form of Abigail Williams and Wilderun, but unfortunately there are no dates near me. That said, this is an awesome bill and you should all go.
Extinction A.D. have signed on with Unique Leader, and have announced a new EP titled Chaos, Collusion, Carnage & Propaganda. That will be out on November 5th, and you can stream “Chaos” immediately below.
Another week, another unending set of problems. Yep, that simple folks. Anyway, new metal time which means it’s finally CARCASS week. Whether you fell off long ago or keep on keeping on, Carcass keep doing their thing and this week they’re, again, doing it extremely well as they travel further along the melodi-carcass path. Plus, who doesn’t need some fun in their death metal these days? Rhetorical question of course, not in my bucket to care who does and who doesn’t. For a twofer of melodic death metal, we’ve got the latest from Insomnium which “good” is understood automatically, how good? Find out. Then we’ve got some brutalicious death metal from Vulvodynia and some wicked deathgrind from Dickless Tracy. Last but not least are the remainder of releases hiding out below these top four. Go. Do it.
In a short amount of time, I have come to appreciate the intricacies of progressive death metal, especially since it has been doing incredibly well during a pandemic, where death is rampant and trauma is at its height. While things are slowly improving, it still feels like a sense of dread hangs over this newfound normalcy, and all one can want is a sense of silence. A lot of albums released last year seemed to deal with what happens when trauma is left unchecked, leaving you feeling hollow and as if you have no one to rely on. However, underneath that hollowness stands a sense of hope that’s slowly gaining traction, and that makes you want to get out of bed in the morning. If last year was about the heaviness of trauma, then Alustrium’s A Monument to Silence, an album that seems to straddle the line between experimentation and melody, is about making the decision to deal with that trauma.
We use the term Behemoths to describe Alustrium as the music on their upcoming third full length, A Monument To Silence, is matching in stature. Their progressive slant on tech death is an absolute diamond in a crowded gem mine and their attention to making each song pop with life and bravado helps keep them at the top of the heap. Their previous two outings were no slouches, but here they are unstoppable on all levels. Creative, catchy, heavy as hell, and bombastic are all proper descriptors but the list could go on and on. Just ahead of the album’s release we posed our Profile questions to guitarist and vocalist Chris Kelly to get under the hood a bit and find out what makes them tick. Head below to see how it went down and DO grab yourself a copy from the links contained within.