Nine Circles Ov… April 2016

April 2016 Metal
Photograph by our Dæmoness of Design, Jaci Raia. For more of her beautiful work follow her on Instagram or Twitter.

April was another insane month in what is fast becoming the greatest year in death metal in recent history. Some stellar releases include, Ihsahn, a debut LP from Nucleus, an LP from Moonsorrow, an absolute fire-breathing ripper from Swedish D-Beat legends Victims, an EP from experimental black metallers Lord Mantis, some traditional heavy metal from Occult Burial, UK purveyors of doom Allfather, some exciting black metal from Greek band Kawir, an LP from tech death metal legends Aborted, some progressive black metal from Holws of Ebb, some super cerebral black metal from Goetic Equivalent and whatever that genius Dalek release is. It’s going to be a really, really great year. Continue reading

Initial Descent: April 8, 2016

ihsahn

It’s funny: even though I’d marked April 8 on my calendar weeks ago to signify it as “Ihsahn Day,” I somehow completely forgot that the new Deftones album, Gore — which I’ve as excited for if not more excited for — also drops today. Seriously. Didn’t even remember it until I was putting this post together. So yeah! Now I’m officially jacked for today!

It doesn’t stop there, though. We’ve also got a collaborative album from Cult of Luna and Julie Christmas, and new stuff from Geryon, Bog of the Infidel and even everyone’s favorite over-appreciated guitarist, Zakk Wylde! So let’s not waste any more time: here’s what’s on tap for Friday, April 8:
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Album Review: Unnatural – “The Path to Ruin” (EP)

frontcoverBorn out of former members of Morgue and Temporal Bleed, Chicago-based death metal outfit Unnatural will soon be dropping their debut EP The Path to Ruin through Horror Pain Gore Death. With no inclination toward anything to do with modern death metal, The Path to Ruin is a simple, no-frills EP that relies on the weight of its delivery rather than any kind of inventiveness. It’s ridiculously primitive and bare-bones, almost to a fault, but it’s still an engaging listen, even if its value doesn’t go much beyond a few cursory spins.  Continue reading