I caught this late last night, so I obviously need to share it today. Migration Fest 2020 details. The Gilead/20 Buck Spin festival dropped the first round of bands for next year, and highlights include Falls of Rauros, Yellow Eyes, False, and Vastum. If you follow either of these labels, those names won’t surprise you. But that doesn’t make it any less exciting!
Deathwhite has revealed that their next album, titled Grave Image, will be out on January 31st through Season Of Mist. I really enjoyed their debut, and if the first single from this effort is any indication, we could be in for another tremendous listen in a couple more months.
In case anyone needed an Enslaved update, I’m happy to report that they have re-signed with Nuclear Blast. They’ve been working together for about a decade, with excellent results I might add, so this is a good thing. With the announcement, the band also dropped a music video for “What Else Is There”. That particular number is a cover of the Röyksopp song and features as a bonus track on E.
Another week, in the middle of winter, has passed. It’s cold. It’s raining, again. Lots of stuff broke this week. I am not amused.
Thankfully WOORMS was there to spice it up a bit with Slake, aka: a twisted journey through nervous wrecks of unhinged sludge and doom with an enormous amount of originality and personality – YES. A self titled album generally signifies some sort of statement or change and in Barshasketh’s case it’s simple: between the drumming and atmosphere, Barshasketh is the most fully realized their second waveish black metal has ever sounded. Musmahhu’s Reign of the Odious was designed and built to pummel, and it does that very well with gnarly but cleanly produced death metal. So, if nothing else, gnarly and cleanly exist, together, in the same sentence. Last up top is Green Elder and Horse Cult with an AMAZING Split of some of the most beautiful Appalachian folk you’ve ever heard, highly recommended for listening and just life in general.
I’m baaaaaaaack. Thanks to Josh for covering for me while I was away. I spent a great two weeks back in the icy winter of my home, Chicago, IL. I got to spend the holidays with all my family, catch up with some old friends from high school and college, eat and drink myself into oblivion, and watch my California-Born-and-Raised partner’s face light up when some unexpected snow flurries blew in. It was exactly the kind of recharge I needed after the trash fire that was 2018. I feel ready to get back in the saddle again, and what better way to do that than share all the good stuff I and my cohorts have been jamming over our respective holiday-time adventures? Check below for a list of tunes to whip your year into shape.
In Dante’s Inferno, the second circle begins the proper punishment of Hell, a place where “no thing gleams.” It is reserved for those overcome with Lust, where carnal appetites hold sway over reason. In Nine Circles, it’s where we do shorter reviews of new (ish) albums that share a common theme.
In sharing a common theme, Louisiana’s WOORMS and India’s Orchid are out there on the spectrum of tripping the light fantastic. One does it with mind melting sludge and noise while the other does it with mind challenging technical ecstacy in the form of the avantgarde and extreme. So, for this Second Circle we’re taking a look at Slake and Miasma and how it would be best to take both in separate listening sessions so complete brain corrosion is avoided. Continue reading →