CANTO: Abrams, Necrofier, The Wraith, and More


Super late canto because sometimes life be like that.

  • TRVE Brewing’s 11th anniversary event is officially set for June 24 at the Gothic Theatre in Englewood, Colorado. The lineup features Godflesh, Sumerlands, Stormkeep, and more. If I lived out that way… you know I would be there. Anyway, here’s your ticket link (they go on sale Friday).
  • Abrams have announced a run of shows out West with BleakHeart, which covers a good chunk of May. They’ll be promoting their latest release, In The Dark, which is available through Small Stone Recordings.
  • Texan black metallers Necrofier announced a new album, Burning Shadows in the Southern Night, which will be out on June 2 through Season of Mist Underground Activists. Check out the vicious new single, “Burnt by the Sacred Flame”, here.
  • Jesus Piece released “Silver Lining”, the latest from …So Unknown. Give it a listen here. That album is slated for an April 14 release through Century Media.
  • Closing out, we have Nine Circles favorite The Wraith. They’re back with their new vocalist Harley Mace, and a video for “Overthrown” can be seen below. You can also snag it through Bandcamp. That’s taken from Ghost March, which we’ll look out for later this year.

“Ein Bier… bitte.”
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Initial Descent: September 4 – 10, 2022

Revocation
Revocation

It’ll officially be Fall later this month which means spooky season is right around the corner. I can’t think of a better way to get in that mood than the trio of death metal new releases that lead this week’s list; Revocation return with an album that after a few spins really hits a sweet spot for me, and even more so than anything they’ve done to date, then we’ve got Bloodbath who are on the forefront of every death metal fan’s mind, next up is I Am with a groovy bruiser (and killer album art to boot), and rounding out the top slots is Abrams who are not death metal but are favorites around this back office. Now, these four will definitely keep you busy, but don’t forget about the long list of other new stuff that follows as there’s a ton of good stuff out this week. Happy hunting and we’ll see you here throughout the next several days. Until next time…

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CANTO: Wayfarer, Carnifex, Orthodox, and More


Took a lot of cool photos yesterday after a storm… that’s all I got.

“Ein Bier… bitte.”
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Best of 2020: Josh’s List

Best of 2020

I could wax for paragraphs on how 2020 leapt into the toilet in March and continues to swirl, deeper in, teetering just on the edge of complete obliteration, but that would be news to no one. In a year when bands could’ve easily went into hiatus based on no way to tour or support themselves—and honestly no one would’ve blamed them—we are damn lucky to have any music at all much less any best of lists. Thankfully the bands turned it up, tuned low, and cranked it out anyway, despite the thought of any sort of monetary return. In short, metal freakin’ ruled this year and kept me sane while the world crumbled and hope was fleeting at best. My music collection grew like my headphone time at dangerous volume levels (according to my apple stats) and I loved the fact that bands sounded angrier and louder, experimented more, stretched thin genre lines to the limit, and generally laid their balls on the chopping block in a way we haven’t heard in a long time. That chopping block bit was one of ten rules I made for my 2020 list back in January and all the artists that made my list did just that in one way or another but my picks this year were also about the albums that really stuck with me for either the long haul or made a fast impression. So, keep reading and maybe one, or more, of these will hit you the way it hit me.

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Album Review: Abrams — “Modern Ways”

Abrams - Modern Ways

For Denver’s Abrams‘ 2017 release, Morning, I spent some time on their past and how it tied to that specific release and how with Morning the band seemed to have found its true self, all of which you can read here for context. Plus, it made my best of list for 2017. Now, with Modern Ways, their third full length, that “true self” is being fleshed out even further taking cues from Morning and expanding on its best parts to create a heavy rock album chock full of soaring melodies, hooks for days, and a slight pop sensibility just to keep the good times flowing. As high as I was, and still am, on Morning, Modern Ways is better. All my trepidation regarding whether they’d stay the course, whether this effort would top the last, and whether or not this would be a defining moment disintegrated upon my initial spin and each subsequent spin leaves my jaw on the floor. Continue reading