As everyone clearly knows at this point, I am pretty Technically Inclined, and my fascination for tech death has continued to grow with each month. Considering the amount of tech death I have been eyeing for the past few months, it seems that 2021 has become a good year for tech death, even with some less-than-stellar releases in its footing. However, this is not one of those pitfalls, as despite Empires of the Mind being an EP, Supreme Conception show that they are a band who clearly know exactly what they are doing.Continue reading
July has a theme for me – it is called “Hera needs to grapple with religion in mind, body, and spirit.”
After writing about fascinations with cults of personality (mind) and about finding salvation when realizing your regret (body), King Woman comes in and proceeds to absolutely wreck me spiritually with the blistering rage and experimental doomgaze of Celestial Blues, an album that follows from where their debut, Created in the Image of Suffering, ended. I have not stopped talking about this band since I found them in 2016, and CITIOS cemented my love for them, as I have never felt so seen by the vitriol Kris and co. spat towards religion and its inherent hypocrisy. To this day, religion follows me, especially due to how I choose to live and approach the decisions I have made in my life. As a lapsed Catholic and having grown up in a somewhat conservative Christian cult-like environment, I have come to understand that the things I choose to align with are seen as wrong by those who both choose to ignore what’s going around them and embody a false sense of morality that they want to pass along to their flock. Let’s discuss.Continue reading
It’s fascinating to see what a side project allows members to express that they couldn’t in their primary outfit. Doubly so in the case of Times of Grace: Jesse Leach and Adam Dutkiewicz already have a flexible outlet in Killswitch Engage. Leach had not yet rejoined the band in 2011 when the collaborators’ debut arrived; 10 years later Songs of Loss and Separation shows that outside of the NWOAHM influences that have marked Killswitch’s style for over 20 years there’s a lot of darkness still to mine, and the opportunity to play in a more melodic, heartfelt space really differentiates this from the pair’s other outlet. It also makes for a stronger, more impactful offering that’s been sticking in my head since first playing the record.Continue reading
Wait…so the guy who only wrote a total of 10 freakin’ reviews this year thinks he has any weight when it comes to a mid-year report? Well, uh…I guess that’s why I put the “heavily qualified” in the title of this post?
But seriously, I’ll be the first to admit that metal hasn’t really been my #1 go-to when it comes to music lately, but like everything else, what you see on the Internet never tells you the whole story. I haven’t been writing nearly as much about the genre lately, but I have been listening. Listening, and refining. Finding the things that really resonate despite the press and the push of PR, or what the pundits tell you on the 1,001 other sites out there scrambling for clicks. And what I’ve discovered is that more and more I’m coming to the sounds that drew me to the genre: thrash riffs, lots of melody, and tasty solos. So yeah: expect some old school bands putting out great records more than 30 years into their existence here. And maybe a few newer bands as well.
Is that qualified enough for ya? Then let’s dig in.Continue reading
From what I understand, post-metal is a genre that can either lull you into a sense of security or gut you so hard that you wonder who hurt the people who make music in that genre. My experience with post-metal has been very minimal, and that can be attributed to two bands on opposite sides of the spectrum: Cult of Luna and Kontinuum. However, after watching Roadburn Redux this year, I found myself wondering if my musical education needed to be expanded upon once again; after all, the more I continued watching several sets throughout those two or so days, the more astounded and enamored I became of how bands seemed to push past the limits of their own creativity in order to play their sets. It was during this flurry of events that I went through the majority of the Pelagic Presents roster showcase, and I met a band that pulled the rug under me and let me believe that, perhaps, there may be something avant-garde about post-metal after all. Get ready to ascend and pass into eternity, because that is what Year of No Light wants to do on their newest album, Consolamentum.Continue reading