Initial Descent: August 25 – 31, 2019

Necronautical
Necronautical

Mediocrity. The mother of all fails. We’ve all been guilty of it at some point; we get busy and things either fall by the wayside or we do just enough to tick off whatever task is in question. Make it a point to not be mediocre. Kick today, and life, right in the ass and own it. And keeping with that topic, there’s nothing mediocre about this week’s new metal as we’ve got new stuff from enthralling black metallers Necronautical, a major upgrade to the atmospheric post-black metal tag from Hope Drone, Wizard Rifle offers up unclassifiable but grade-A avantgarde metal wizardry, and Witch Vomit mine the cavernous depths of death metal extremely well.

Hate pep talks? FINE. Just go support all this music. Continue reading

Profile: Naut of Sonic Black Metallers Necronautical

Necronautical
Necronautical – photo courtesy of Ester Segarra

Melodic, symphonic, and atmospheric walk into a bar and proceed to drunken obliteration with their new found friend, ripping black metal – such is the case with the UK’s Necronautical on their upcoming third full length Apotheosis. This smorgasbord is nothing new, of course, but the band’s approach to it is staggering and a damn joy to experience, to say the least. Debut Black Sea Misanthropy was a melodic, aggressive, and catchy first effort but while it was very confident in itself it lacked a stone cold identity. Then on The Endurance At Night the band awakened their symphonic third eye and abruptly fixed the identity crisis while keeping a firm hold on their striking power. Now, the lessons learned result in an epic and majestic 50 minutes of black metal that borrows equally from those barflys we met earlier and as cliche as this may seem, Apotheosis is unique, immersive, and captivating. Ahead of the album’s release, we reached out with our set of Profile questions and Naut (vocals, guitar, keys) answered the call with a fury. Head below to see how it went down and DO NOT miss the preorder on this one, links are contained within. Continue reading

CANTO: Amorphis, Dimmu Borgir, Rotting Christ, Winterfylleth, and More

Amorphi.10.13.2018.69

I’m very tired. Let’s see what lurks in the inbox on this fine Monday.

“Ein Bier… bitte.”
– cmb

Initial Descent: April 29 – May 5, 2018

ihsahn

I’ve talked here before…or maybe in another piece, I can’t remember (old and I’ve slept since then)…about how much more music means when there’s true progression. I”m not talking about your textbook switching up riffs or blasts, I’m talking true forward movement. Since the calendar ticked over to 2018 I’ve been extremely pleased with the amount of artists doing just that. Seriously, it’s been a blast and there’s been at least a handful of artists each week that shine brighter than ever in that regard. Color me tickled. Anyway, more of that this week as we jump in with Ihsahn‘s Àmr in which he continues to forge his visionary and exemplary progressive black-ish metal. For those of you with promos, go directly to the actual release and be amazed at the difference in sound. Next up is Thou who are getting some ridiculous criticism for actually doing something different (shame on you internet) on The House Primordial which is slow and scathing with its noise backbone. Listen, Thou haven’t changed, they’ve only grown more vicious so lay off it. Continuing with Corpse Flower Records’ stellar tribute albums, this week sees release of the Samhain tribute We All Want Our Time In Hell which is ridiculously good and features a killer cross section of artists — any fan of Samhain or metal in general would do well to pick this up. Last up in the opening slots this week is NYC’s Aeviterne with their swirling death metal on debut EP Sireless — membership here touches Castevet, Tombs, Flourishing and Artificial Brain so you already know it’s a treat for the ears. Get on that. Pushing boundaries all around with these four but there’s so much more waiting below. Hop to it. Continue reading

Album Review: Ihsahn – “Àmr”

ihsahn - ámr

If there’s one thing you can always count on when it comes to Ihsahn it’s evolution.  Throughout his work with Emperor, Peccatum, and his solo work it’s been a constant examination of musical styles, finding new avenues and strains that work within the ever-expanding identity of the man himself.  Àmr, his seventh sojourn as a solo artist acts more as a refinement rather than another branch into the unknown.  As such it feels a little less immediate, but even treading water there’s enough stellar musicianship on display to further cement his stature as a visionary in the genre.   Continue reading