Where does an album get their genre descriptor from? And who has the authority to give an album, and the band who created the album in the first place, said genre descriptor? If anyone has listened to both prog death and tech death long enough, you’ll notice there is a fine line between both genres, especially when their descriptions become subjective to the listener. Casting the finer points of metal music vernacular aside, the reason for this thought was that Contrarian’s fifth album, Sage of Shekhinah, straddles the line between the experimental nature of prog death and the technical instrumentation of tech death. Let’s discuss.
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Nine Circles 