Welcome back to part two of my best of 2017 series. Last time I talked about my favorite shorter releases from the past year in an effort to shine light on some things that might have otherwise not gotten the respect they deserved. Now comes the meat of the series: my favorite full-length albums. Figuring out this list was a pretty exhausting process, not only because I listened to significantly more full-lengths than I did shorter releases this year, but because I wanted to make an effort to challenge myself when it came to thinking about what really stuck with me. In 2016, my criteria for what I chose to include on my year-end list was more simplistic, and no disrespect is meant to anyone who writes 50 or 100 album lists of everything they thought was cool, but for this year, I wanted to really think about whether or not an album had a genuine impact on me versus just listening to it and thinking it was good. As such, I ended up with a slightly shorter list this time around, and some albums and artists I liked did not end up making it on here, but I feel like this list is the most real representation of my “favorites” than ever. Without further ado… Continue reading →
Its been a long time since I posted anything for Nine Circles. Of all the things 2017 has been for me, it has definitely been the busiest I’ve ever been. I joined more bands, recorded drums / vocals for other bands, art for my bands and other bands, PR for my bands and others, started a record label, and a bunch of other stuff. I miss being more active with Nine Circles but it looks like the current staff has been crushing it!
Anyway, the time has come for year end list. I love reading everyone’s lists and seeing what albums I might have missed or maybe need to check out again. I hope you find some new music in here you will enjoy. Continue reading →
He’s back! Our brother from the north and black metal maven Jonathan Petkau (Domestikwom, Dudeist Priests, Spacekau, Respectably Loud, etc.) has taken the metaphorical pen in hand to draft up some words on his favorite music of 2017. Without further ado, here’s Jon!
On a global scale, 2017 was a garbage fire of a year, and 2018 doesn’t show any signs of dying down. It is so omnipresent it often overshadows the personal goals I was able to achieve this year. I put out two EPs (one featuring one of my all-time favourite guitarists), as well as my first full-length album which for so many reasons is one of the things I’m most proud of (after family, etc.). If we all go out in nuclear fire or global warming floods tomorrow, at least I was able to get that one in under the wire (nervous laughter).
To combat the void staring us all in the face, I’d like to talk about the music that made me happy, because talking about said music also makes me happy. And if you in turn find that reading this makes you happy, fantastic.
This list will be alphabetical and not ranked: doing so at this point would not encourage my happiness. Continue reading →
Sick and twisted times call for sick and twisted music…
Leading the charge this week is one of the sickest bands in metal: Primitive Man. They may only be on their second full length but throughout their vast library of splits and EPs this band is consistently massive and Caustic heavy handedly continues the tradition but sicker and somehow more twisted. Next up is debut full length The Unlawful Assembly from black metallers Dawn Ray’d and the press surrounding this release is more than warranted. It’s not only very good black metal but carries a timely message or stance, if you will. Moving along is the impressive doom and 70s folk/prog of Dreadnought on A Wake In Sacred Waves, this is an album that truly washes over you (no pun intended). Last up in the top slots is the towering Curse of Conception from Spirit Adrift, this thing is full of traditional doom and heavy metal aplenty, sound good? It is, trust me. That’s it for the for the first four but as it usually goes, there’s so much more right after the jump. So, GET IN THERE. Continue reading →