It’s getting a bit ridiculous, listening to so many great releases so early in the year. I’ve already listened to four albums coming out in the next few weeks that could easily be an AOTY contender…and we haven’t even gotten out of the first month of 2022 yet. And I’m not even talking about the new Earthless record which came just came out – they were my AOTY back in 2018 and damn if Night Parade of One Hundred Demons isn’t currently kicking my ass as I write this, so why not have a preview kick off the 216th edition of the Nine Circles Playlist?
You know who else has a new album album that we never talk about on Nine Circles? Steve Vai. So let’s get one of his new tracks on here, too. And since I don’t want to hog too much of the spotlight (although I threw one of my favorite Opeth tracks in there, too) we’ll start with Anton who is rocking his shiny bald pate to the new Allegaeon as well as Dischordia. Josh has been enraptured with the new Zeal & Ardor (so say we all….jeez it’s phenomenal) but still finds some serious gutter time with Malefic Throne and some classic sludge from Eyehategod. Like me, Vincent is bemoaning the breakup of The Might Mighty Bosstones but manages to find some solace in new music from 40 Watt Sun and Boris, as well as some older music from Elliott and Mitski. Buke gets down in the dirt with Crowbar, Cathedral, and Nile while Ian both confuses and concerns me by injecting some Mac Miller and something called “Getcho Mans” before wrapping up with some Wilderun and Coheed and Cambria bringing Springfield back for “Jessie’s Girl 2”.
Oh, and maybe one more new track for Buke…be seeing you.
In case you didn’t notice, we’re big fans of the new Worm record around these parts.
We’ll kick Friday off with Earthless, who have announced some early 2022 tour dates. Tickets went on sale today for their run of 10 dates that beginning on January 27th in Los Angeles and end February 8th in Phoenix.
Can’t find a way to attend Knotfest Los Angeles? Well, you’re in the luck. The performance will be streamed live, taking place on November 5th, and tickets can be purchased here. As far as Slipknot goes, this is their first ever live stream, and the footage will be available for an additional 72 hours after the show.
Massacre is always the right way to close a week. Side note: I’m only just now appreciating how incredible their logo is. Anyway, check out the gnarly new clip for “Return of the Corpse Grinder” below. The uncensored version was understandably banned from YouTube, but you can peep that here if you feel up to it. Resurgence is out now on Nuclear Blast.
We’re about to hit the mid-point of the year, and as ever the amount of quality releases seems to increase with each passing breath. I’ve spent some portion of attention to 183 metal releases so far, and in a year where I find my personal tastes drifting more and more away from metal there’s always something that manages to pull me back in. So far there doesn’t seem to be a particular genre or style pressing its nose against the Trend Window™ (unless you count the amount of sax going on I guess…) and I’ve been surprised at the sheer variety of music pulling at my nerve endings these past six months.
So similar to last year, consider this edition of Nine Circles ov… a snapshot. It’s a measure of a point in time, personal to me and indicative as to where my head’s at halfway through the shitstorm that is 2018. And since that’s probably all the justification I’m going to give, so let’s do this. Continue reading →
From time to time we all get together as a team and discuss some of our favorite albums we missed covering at release time. Whether due to time slipping away from us or whatever the case may be, we miss them. Well, now that we’ve just passed the end of March, we are proud to bring you some overlooked highlights from the first quarter. So, without further delay, let’s jump right into it. Albums we missed in Q1 2018. Here. We. Go. Continue reading →