New week and new month yet I’m still head over heels into last week’s new releases. So much good stuff came out, might take me weeks to get beyond it. Anyway, how was the weekend? Short you say? I agree but the weekend will be here again soon so there’s that. Huge coffee mugs in hand, we offer you another playlist of what grabbed our attention last week and it is indeed another great, eclectic bunch of tracks to make today more bearable. Don’t forget to subscribe to our YouTube channel here so you never skip a beat. Also, feel free to leave us some comments on what’s been grabbing your attention lately — we’d love to hear about it. Continue reading →
To me, Friday felt like the first real day of this year’s Maryland Deathfest. (No disrespect to Thursday’s performers at all; I just only saw three of them, so for my personal experience, it felt more like a prologue of sorts.) For the first time — absent the opportunity for parking lot hangs, crushed beer-can BBQing and other outdoor shenanigans — it’d be all metal straight through, from the late afternoon to the earliest part of the morning. Let’s get to it! Continue reading →
Good morning, it’s time to metal. Here’s some news you might have missed from yesterday:
Leading off with some sad news, Chris Cornell was found dead late Wednesday evening. The former Soundgarden and Audioslave frontman was just 52 years old, and it’s hard to put into words how enormous a loss this is. Rest in peace, Chris.
Guys, 2015 was pretty rad, at least in terms of music (I’d also argue it was a watershed year in almost all creative and entertainment media I follow, but that’s a different discussion. Plus, I just had a really good year, in general).
The nine albums listed below earned their spots because they stuck with me all year for one reason or another. However, I wanted to give lip service to a few that ultimately didn’t make the top nine, but that still brought some great musical moments into my life. For instance, I have spent many a rainy night nodding to the cyberpunk synthwave of GosT’s Behemoth while riding the train home, feeling like a character in a William Gibson novel; I took long hikes in Oregon’s lower Willamette Valley to the sounds of Enslaved’s In Times and Misthyrming’s Söngvar elds og óreiðu; and I got to experience the sonic energy of Mutoid Man’s Bleeder (and Helium Head) live in its entirety, in what was probably my favorite show of 2015. These little moments are just a few in a year filled with them.
Anyway, enough nostalgic waxing from me. Here’s to hoping 2016 is as good of a year as 2015 (I’m looking at you Gorguts, Gojira, and Horrendous).