Labyrinth Of Stars, a new project featuring some of the minds behind Lantlos and Valborg, have announced details surrounding their debut. Spectrum Xenomorph will drop on September 30th through Translation Loss Records, and you can check out “Star Pervertor” over at Decibel right now.
I feel like rounding out the day with Revocation is the right call. The video below is for “Diabolical Majesty”, the first single taken from Netherheaven. Their new album is set for a September 9th release through Metal Blade. Be sure to catch them on tour with Krisiun, Alluvial, and Inoculation later this year as well.
After skipping yesterday, I’ll do my best to catch up today. No I won’t.
I should at least include the new Baroness tour announcement, which will be a by-request tour throughout the United States. You can vote for your 10 favorite songs (out of a list of 80) with the purchase of a ticket. They go on sale Friday at this location. Well, not that exact location, but you know what I mean.
And then we’ll wrap up the day (and maybe week) with a couple new videos. First we have Archspire, who shared a new video for “Drone Corpse Aviator”. That, of course, is taken from Bleed the Future, which is out on October 29th through Season of Mist.
We’ll close with Lantlos. The clip below is for “LOWBREATHHIFEELLOWLIFEHIHOPES”, which I definitely just copied and pasted. It’s from the limited edition of Wildhund, which is available through Prophecy Productions.
The Dark Souls franchise may own this title, but Aldia’s got nothing on me.
Last year around this time I made a statement, hoping that I would take it easier on the album listening; however, I also said that it would be for naught, as my 2019 release calendar was looking great and I was so excited about it.
This is my fourth End of Year List for Nine Circles, and the more the music changes, the more the sentiment stays the same. With each new dance partner our hands clasp; our eyes lock and I see and hear and ask the same thing: What does this do for me? What does it mean? Why this, and not something else?
I tried to spend this year answering those questions, particularly the last one. In a year where I finally acknowledged that – while still important and cherished – metal was no longer the driving musical force in my life, I wanted to understand why the metal that I was drawn to impacted me. What was it about the way this riff, or that vocal line, or that lyric touched me in a way maybe some other song, track, or album didn’t? Continue reading →