One-man bands are nothing new to the heavy music scene. Black metal in particular seems to have a monopoly on the concept of one person locked in their house, recording every instrument and doing all the vocals. Other people’s minds might jump to a strange looking guy with a bass drum strapped to his back, tambourines on the ankles, accordion and trumpet blaring atonally. Reptoid, on the other hand, takes a “one-man” approach on Worship False Gods that’s closer to the latter in structure (and maybe lyrical concept), but with the finesse and precision of the former.
It’s almost October, and…we’re late with this! Blame Dan the Nurse. (Sorry, we mean “Dan the almost-nurse.”) But, just in the nick of time for our one-month-late AOTM schedule, we’re back with our chosen highlight from August: Bummer‘s Holy Terror! Continue reading
In case you missed it or just need a podcast to get you through Monday, we featured our July album of the month late last week and you can listen right here. It was nearly a full house and absolutely a ton of fun was had so check it out. Alright then, a new week means new metal and lots of it…
Kansas City’s noise rock champs Bummer offer up their debut full length Holy Terror which lands on the dirty, grungy side of the genre but – lucky for me – that falls squarely in my wheelhouse and simply put, this album is everything I look for in noise rock. King Dude returns with Music To Make War To and the Dude continues his journey as one of the best dark neofolk artists around. Netherlands are a busy bunch having not long ago released an EP and now are back with their next full length Black Gaia — there’s entirely too many good things to say about this wildly experimental band from Brooklyn so I’ll leave it at: GO BUY IT. And, closing out the opening slots is the chunky, heavy as concrete, violent as a hammer to the face metallic hardcore of Jesus Piece on their debut Only Self.
Stunning openers but there’s so much more to come so hang with us for a while and explore. Continue reading
It’s no secret at this point that genre lines everywhere have been stretched to a point that when a band comes along and captures the essence of a particular genre it can be quite remarkable, to say the least. This is exactly what Kansas City’s Bummer have done on their full length debut, Holy Terror, due out August 24. Their chosen drug is noise rock full of wallowing sludge and angry tempos but with emphasis on methodical grooves and energetic songwriting. Essentially, they’ve captured the actual soul of what made noise rock so great when I first heard it many, many years ago. On top of that they take the classic noise soul and make it their own with a pinch of thrash and a robust dose of dirty blues (the kind that makes you want to clean up afterwards). Without completely spilling the beans before you actually listen to this thing, I’m stopping there since I could go on all day about this. One more thing, that album cover! It’s simple but damn effective.
Keep reading to find out more about this trio and be sure to hit the links at the bottom to support them. Continue reading