I have awakened from the deep slumber that can only come from a combination of massive post-Thanksgiving tryptophan dosing and an ill-timed COVID booster to bring you, the discerning public the 207th edition of the Nine Circles Playlist. And it comes on the birthday of the greatest guitarist to ever light his guitar on fire, so of course we have to open with some classic Hendrix.
Once you’ve picked yourself up after that blistering performance of “Killing Floor” we of course have some more the more extreme music for your ripe and eager ears. Prepare to have your mind expanded when you come to the realization that Troy Sanders should sing ALL the songs when Two Minutes to Late Night cover Metallica’s “Blackened.” Then Josh brings the heavy with cuts from Atræ Bilis with whom we just released a killer interview with, Diablation, and Hate. Vincent finally listens to Marriages featuring Emma Ruth Rundle after being reminded of their greatness on our latest AOTM podcast, and sprinkles in some vicious Yellow Eyes and Sun of the Sleepless as well. Anton has gone deep with Transcending Obscurity Records, laying his soul bare to the attack of both The Last of Lucy and Dischordia. Finally I wrap things up with some of the metal I’ve had on repeat lately, including the latest from post-metal crew Daxma, the newest single from supergroup Lock-Up now featuring both Tomas Lindberg and Kevin Sharp on vocals, and the classic trad metal of Tower.
I can’t believe next week is December. End of Year lists edge ever closer. See you next time, hopefully more awake than I am now!
Look here, it got real out there so everyone please stay safe and well and virus free. And stop HOARDING every damn thing in site. You know the family down the street barely making it by? Yea, that’s the one you’re hurting by being a dick and selling toilet paper and hand sanitizer for 10x face value. I don’t mean YOU, dear reader. Unless YOU have done this. Shame, for shame. Anyway, metal will keep you sane if ordered in the house so let’s get to this week’s list. Kansas City’s answer to damn near perfect sludge by way of hard hitting metal, Hyborian, are back and better than ever, Neck of the Woods show that being slightly progressive with a hint of metalcore and a lot of death metal can be a great thing when done right, Sweven — offshoot of Morbus Chron — have a debut album on tap that forces you to hear death metal through a partially acoustic lens, and it’s AMAZEBALLS, and Lucifer still rock in all the right occultish, 70s inspired, metal ways. Stay safe, well, and loaded with metal. Continue reading →
Welcome again to another edition of our mixtape series, coming to you a day late but hopefully not a buck short. This week, Charles had only been listening to Elder it seems, Ian likes fretless bass (no surprise there), and Hera reminds menthat I still have yet to check out the new single from Ulver. I think I’ll go fix that.
The past three weeks, since our last Playlist, has seen a treasure trove of excellent music. It really hasn’t mattered where your preferences lie in the metal spectrum, there’s been something for every taste imaginable. And in these past three weeks we’ve featured some of it, discussed our album of the month for June, highlighted an album that turned 18, featured excellent artists via our Profile piece and talked about much more amongst ourselves, as we do on a daily basis. So, make sure to go back and check it all out for yourself. Anyway, it’s Saturday and we’ve got another playlist full of some of those things just mentioned and some of the things we just haven’t been able to get enough of. You can subscribe to our YouTube channel here, if that’s your thing, and be sure to leave your recent favorites in the comments section or hit us up on the socials. Have a great weekend!
I remember the hype and acclaim around The Oath and their brand of Sabbath acid rock doom not doing all that much for me, so when singer Johanna Sadonis took the band’s demise to form Lucifer with ex-Cathedral’s Gaz Jennings as a musical partner it felt like more of the same. Three years on from their debut and a serious switch in collaborators brings forth a more sun-drenched Lucifer II, and the result is a truly memorable rock album that slithers in the darkness and the light, putting the focus on hooks and head nods instead of wallowing gauze and doom. Continue reading →