The Nine Circles Playlist Vol. 250 (9.24.2022)

Well whaddaya know? We made it to 250. This is the 250th edition of the Nine Circles Playlist and since it’s our party we’ll invite who want to, you know?

So you’re gonna hear stuff like the new Venom, Inc. which is killing anything Cronos might be doing (although thanks for releasing the In Nominee Satanas set on CD) and Gaerea who just released a killer new record, as did the noise kings KEN mode. But that’s not all! How about some vicious preview tracks from the likes of Autopsy and Scars of the Flesh? Or maybe you’re feeling like it’s an indie weekend? We got you some older tunes by Pianos Becomes the Teeth and Catherine Wheel to soundtrack your vibe. Lest you turn away there’s still plenty of heavy to be had with music from Ashen, Aenaon, Ultar, and a bevy of classic metal tracks to close things out from the likes of DBC, Sodom, Morbid Angel and Vader.

Get listening. Stay safe. See you next week.

Chris

The Nine Circles Playlist Vol. 225 (4.02.2022)

playlist - mixtape

We’re back, and it feels like Spring is really starting to take a hold. I’ve been re-organizing my vinyl collection the past few days, figuring out just where the hell everything is going to fit and how I’m going to explain to my wife why I need to take over another room before the next stack arrives. First world problems to be sure, but that doesn’t mean I can’t use it to kick off the 225th edition of the Nine Circles Playlist, you know?

We’re gonna kick things off with some of the surprises I’ve discovered the last week, starting with new music from Michael Romeo, who brings the heavy prog I crave from Symphony X on his new solo joint. Anton ups the tech factor with some ripping new Inanimate Existence and follows it up with Luminous Vault and Lustmord collaborating with The Ocean. Josh digs into the dank earth of death metal to give light to Analepsy, Visceral Explosion, and Flesh Configuration before shaking things up a bit with Downcross and Real Steel. Vincent goes wide as usual with the newest single from Devil Master, Tzompantli, Falls of Rauros and deep cut from the Pieces of April soundtrack by Stephin Merrit. Hera returns to the playlist and brings Ibaraki, Ghost, Terzij de Horde, Playgrounded, Sadist, and something I’m assuming is called You May Kiss the Bride? I don’t know..it’s heavy though! Next up is Angela bringing some long awaited new music from Meshuggah as well as Frayle, Amenra, and Bhleg. Once again bringing up rear guard is Buke, and he’s chock full of great stuff, from the new Haunt single to some real old classic Opeth, Morbid Angel, Ripping Corpse, Autopsy, and finally some truly classic prog in the way of the might Emerson, Lake & Palmer.

Get listening. Stay safe. See you next week.

Chris

CANTO: Insomnium, Morbid Angel, Vastum, and More

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I think I only did one of these last week, yeah? Let’s fix that.

“Ein Bier… bitte.”
– cmb

The Nine Circles Playlist Vol. 70 (03.09.2019)

playlist - mixtape

Greetings once more, fellow travelers on the journey of life.  Too much?  Maybe.  I’m just glad it’s the weekend again.  Or it could be that I’m just hungry.  It’s lunch time when I’m writing this, and I’m lusting after some chinese food (I’m eating food from home though, and my wallet better thank me for this one).  Either way, it’s time to get this party started, and there’s no better way than our weekly playlist.  We’ve got lots of good tunes coming this time, and there’s a little something for every taste in there.  I personally included the CHVRCHES song I’ve been jamming on all week, because sometimes it’s nice to take a break from the bleak and the heavy, and CHVRCHES whip ass anyway.  I’ll catch you all next week.  Back to dreaming about chow mein…

– Vincent

 

The Nine Circles ov…80s Death Metal

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In any form of art, there’s something magical about the “early works,” those seminal points of origin that set the course for wider narrative. It’s like the moment when the archaeologist finds and examines the fossil that ties together the map of disparate species. Or like the literary researcher who finally reaches the shelf with all the old texts, dusts them off and sets to work. Early extreme metal is a lot like this. There’s that turn around 1985 when you hear bands start to pull away from classical heavy metal. The guitar and bass picking patterns change, the vocals begin to lose their pitch, and the double-bass drum steadily becomes more important. Certain records appear and you realize, “wait, this isn’t really thrash anymore is it?” Buckle up and ride with us through The Nine Circles ov…80s Death Metal. Continue reading