progressive death metal

Album Review: Burial In The Sky — “The Consumed Self”

HeraLeave a comment

Ever since my interest in tech death began to expand, I had always heard about Burial In The Sky (Burial), but I never thought to actually listen to any of their music because I was too enamored by what other bands were doing to pay attention. However, once my interest grew and I opted to expand my tech death palette, I finally decided to jump in and see what I had been missing this entire time. It suffices to say that The Consumed Self, the band’s third album, is a cohesive tour de force that makes Alustrium’s A Monument to Silence pale in comparison with how intricate its instrumentality is.

Continue reading →

Nine (or so Heavily Qualified) Circles ov…2021: A Mid-Year Report

ChrisLeave a comment
2021 mid-year report

Wait…so the guy who only wrote a total of 10 freakin’ reviews this year thinks he has any weight when it comes to a mid-year report? Well, uh…I guess that’s why I put the “heavily qualified” in the title of this post?

But seriously, I’ll be the first to admit that metal hasn’t really been my #1 go-to when it comes to music lately, but like everything else, what you see on the Internet never tells you the whole story. I haven’t been writing nearly as much about the genre lately, but I have been listening. Listening, and refining. Finding the things that really resonate despite the press and the push of PR, or what the pundits tell you on the 1,001 other sites out there scrambling for clicks. And what I’ve discovered is that more and more I’m coming to the sounds that drew me to the genre: thrash riffs, lots of melody, and tasty solos. So yeah: expect some old school bands putting out great records more than 30 years into their existence here. And maybe a few newer bands as well.

Is that qualified enough for ya? Then let’s dig in.

Continue reading →

Album Review: Alustrium — “A Monument To Silence”

HeraLeave a comment
Alustrium - A Moment to Silence

In a short amount of time, I have come to appreciate the intricacies of progressive death metal, especially since it has been doing incredibly well during a pandemic, where death is rampant and trauma is at its height. While things are slowly improving, it still feels like a sense of dread hangs over this newfound normalcy, and all one can want is a sense of silence. A lot of albums released last year seemed to deal with what happens when trauma is left unchecked, leaving you feeling hollow and as if you have no one to rely on. However, underneath that hollowness stands a sense of hope that’s slowly gaining traction, and that makes you want to get out of bed in the morning. If last year was about the heaviness of trauma, then Alustrium’s A Monument to Silence, an album that seems to straddle the line between experimentation and melody, is about making the decision to deal with that trauma.

Continue reading →

TECHNICALLY INCLINED, Episode 5: Cerebrum’s “Iridium”

Dan2 Comments

Technically Inclined is back! And Hera — having NOW (but not at the time of recording) newly completed grad school — has rejoined the fold once again! And this time out, we’re talking about Greek progressive death crew Cerebrum and their third album, Iridium.

Continue reading →

Cryptosis’s Frank te Riet on “Bionic Swarm,” Metal in the Netherlands, Switching Names (and Direction), Soccer, and Much More!

opethbodom1 Comment

Bionic Swarm, the debut from Cryptosis has become an early favorite for many of the staff at Nine Circles.  Jamming together old school thrash, progressive death metal, and a healthy dose of symphonic black metal in its arrangements, it’s the kind of debut that instantly slams into your skull and rewires your brain. 

Continue reading →