It’s hard to have hope. In no time like the present do statements like this ring true. On both a micro and macro level, it can seem at many times like the world is falling apart. Music is something that should be a comfort to all, yet even scenes that are supposed to be welcoming to all those society pushes to the fringes are plagued by the same bigotry and gatekeeping that they are supposed to fight against. When even this comfort is denied, optimism seems like an impossibility. Enter Svalbard, and their new album It’s Hard to Have Hope, the soundtrack to you dusting yourself off and fighting the good and necessary fight for the future we all deserve. Continue reading →
What strikes you first about Child Bite is that this noise/hardcore band has so much charisma to spare. The band is magnetic in front of a microphone, and, in spite of a multitude of lineup changes, the core of vocalist Shawn Knight and bassist Sean Clancy has been unrelenting over its career spanning more than a dozen EPs and albums. Such is a feat for any band, and its return to Housecore Records (which issued 2016’s Negative Noise and several EPs) may give you a sense of how Child Bite has maintained that spark over time as is offered here on Burnt Offerings: Covers And Rarities 2010-2017.Continue reading →
The work of goth/punk band Samhain may be forever overshadowed by singer Glenn Danzig’s previous and subsequent projects, the Misfits and Danzig. However, it is not for lack of influence, with its prodigious, unconfined sound and horror aesthetics giving early shape to a legion of styles. We All Want Our Time In Hell Samhain Tribute, a new compilation album by a range of emerging and veteran punk, metal and noise bands, is deeply grounded in that history, with a glance to the future. Continue reading →
I never guessed I’d come to a point where I was standing at the crossroads between hardcore and melodic power pop/punk, but here we are, gazing into the odd juxtaposition of Natur, the new album by the Norwegian assault of Ondt Blood. Filled with equal parts cutting aggression and an almost sunny sense of late 90s punk riffage, its melodic sense is entirely couched in a riotous call to arms against the oppression against the Sami, the indigenous peoples of Norway who, similar to many other cultures around the world are being wasted away by policies aimed to benefit everyone but themselves. This anger and alignment with the downtrodden is carried through in the waves of sound that require no translation. Continue reading →
Norwegian hardcore / punk outfit The Good The Bad and The Zugly will be releasing their third full length, Misanthropical House, February 16 and it sounds just like the album cover looks. If you thought about Animal House while you caught a glimpse of it, that’s the feeling you get throughout these raucous twelve tracks. Punk attitude meets a hardcore delivery for some 30 minutes of fun — what more do you need?! Everyone needs some fun so don’t miss this thing. Just ahead of the album’s release we had the chance to ask the band our set of Profile questions and their answers completely live up to the wild music they’ve made. Plus there’s a stream, do it.