There are some people whose presence on this earth are so large that you can’t imagine living in a world without them. For the world of rock music, Neil Peart was one of those powers. When I was a young man I thought I couldn’t stand Rush, mostly due to my distaste of Geddy Lee’s voice. Thankfully I got over myself eventually, but even in my days when I didn’t like the band, I always counted Neal Peart as one of the best drummers I’ve ever heard. There’s no one, Rush fan or not, who I ever heard call him anything less than the best. I’m sad we won’t hear any more of him, but his legacy will be here forever.
Here are some tunes.
Good morning all, hope that monster size cup of coffee is treating you right so far. Plenty of the same happening here and the eyes are finally losing their weekend glaze. I hit up Primitive Man and Bell Witch over the weekend, the ears are still ringing but it hurts so good — you all know that feeling very well I’m sure. More to come on that at a later date but for now we must fill your ears with the goodness we, collectively, were listening to last week and consequently help those of you who don’t drink coffee. Consider it a pick me up, you’re welcome. Anyway, subscribe to our You Tube channel here and head inside for your Monday morning blast. Continue reading
It’s nearly a given at this point in heavy music that genre lines are far more blurred than they were even ten years ago. As the tendrils of post-metal, ambient music, and shoegaze crept into black metal, death metal, and doom metal (and vice versa), it suddenly became much harder to classify bands with a rigid genre tag. The same has happened with a good amount of music tangential to metal: Post-punk has always been viewed as the big brother (or father, even) of goth rock, new wave, and industrial, but the beginning of each sound was fairly self-contained in its origins until artists started integrating more textures. It’s interesting, then, when all these worlds collide at once; Atlanta-based trio Dead Register have crafted an absolutely stunning debut with Fiber, which seamlessly coalesces influences from gothic rock, shoegaze, doom metal, and some “post” tendencies, both rock and metal. Continue reading