I always have a tough time with these introduction things when it comes to End of Year lists. The temptation is to sum up the year with some anecdotes about what it meant to me and how the music I loved played into it. Yet what could I say about a year that was such a mixed bag for me? On a personal note, my mental health took an all-out nosedive last year that I’m still trying to claw my way out of, yet my partner and I got engaged and are looking forward to spending the rest of our lives together (not that we weren’t already, but you get the point). The weight of the worst depression and anxiety I’ve ever faced affected my ability to connect to a lot of the music I heard last year, yet I started a column on here that lead me back to a genre of music I had not seriously kept up with for some time, and in doing so I found a little piece of myself again. Years are years are years, and life is cyclical and spiralic in nature. I won’t pretend there weren’t good things to come out of last year, just as I won’t pretend there won’t be hard times in the year ahead. But I will always have a carefully curated soundtrack to help me along the way, and below represents what helped me get through 2019. Continue reading →
* Hey it’s Thursday! And it’s more than 9! What else is new? I hereby fully (don’t) apologize for the late entry that clearly doesn’t at all conform to the format. Suck it….
I tried to keep my 2019 End of Year list(s) brief…I really did. But like last year simply too much happens in the span of 365 days to limit advocating and championing the things one comes to love. And I’m not talking about the release of records. I’m speaking to the way we change and grow and mutate with every experience, the way what we hold dear or take comfort in stands as a totem or ward against the hate and pain of a world gone mad, a world that grinds away at our compassion, our love, and our fortitude to stand against it while maintaining the core of who we are. Continue reading →
I caught this late last night, so I obviously need to share it today. Migration Fest 2020 details. The Gilead/20 Buck Spin festival dropped the first round of bands for next year, and highlights include Falls of Rauros, Yellow Eyes, False, and Vastum. If you follow either of these labels, those names won’t surprise you. But that doesn’t make it any less exciting!
Deathwhite has revealed that their next album, titled Grave Image, will be out on January 31st through Season Of Mist. I really enjoyed their debut, and if the first single from this effort is any indication, we could be in for another tremendous listen in a couple more months.
In case anyone needed an Enslaved update, I’m happy to report that they have re-signed with Nuclear Blast. They’ve been working together for about a decade, with excellent results I might add, so this is a good thing. With the announcement, the band also dropped a music video for “What Else Is There”. That particular number is a cover of the Röyksopp song and features as a bonus track on E.
Welcome back to another edition of our Saturday morning playlist, guaranteed to wake you up faster than a cup of coffee and a Red Bull combined. Every week we’re bringing you the best of what we’ve been listening to in our spare time, because we know you’re curious about what our staff do with their off-hours. This week, Josh stacks up Cloak and Tribulation side-by-side in a battle of goth-n-roll, Hera combines black metal, melodeath, and Rammstein in a quintessential Hera move, and I throw in a tribute to an artist I’ve long admired who unfortunately passed away this past week, the inimitable Daniel Johnston. Sit down, tune in, and get your weekend started right.