Best of 2017: Vincent’s List

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Welcome back to part two of my best of 2017 series.  Last time I talked about my favorite shorter releases from the past year in an effort to shine light on some things that might have otherwise not gotten the respect they deserved.  Now comes the meat of the series: my favorite full-length albums.  Figuring out this list was a pretty exhausting process, not only because I listened to significantly more full-lengths than I did shorter releases this year, but because I wanted to make an effort to challenge myself when it came to thinking about what really stuck with me.  In 2016, my criteria for what I chose to include on my year-end list was more simplistic, and no disrespect is meant to anyone who writes 50 or 100 album lists of everything they thought was cool, but for this year, I wanted to really think about whether or not an album had a genuine impact on me versus just listening to it and thinking it was good.  As such, I ended up with a slightly shorter list this time around, and some albums and artists I liked did not end up making it on here, but I feel like this list is the most real representation of my “favorites” than ever.  Without further ado… Continue reading

The Abyss Gazes Back: Vincent Makes Sense of His Anticipated Albums from 2017


You may recall in January, I was one of many here at Nine Circles who published a list of albums I was excited for in the coming year.  With 2017 almost over, it’s time now to look back and see how these albums stacked up against my expectations.  Who delivered, and who left me wanting more?  Read on to find out. Continue reading

Album Review: Yellow Eyes – “Immersion Trench Reverie”


Brooklyn, NY’s Yellow Eyes should be a name you’re familiar with by now.  The group has quietly been releasing some of the best and most inimitable black metal the world over since 2012.  Poised now to release their fourth full-length album, Immersion Trench Reverie, the band stands to outdo themselves once more, creating something that lives up to its title well: an album that is both deep and immersive. Continue reading

Concert Review: Migration Fest, Part 2


Keeping the recaps and highlights of this past August’s Migration Fest moving along, we move on to our (my) second installment… you can catch the first part here. While the festival certainly jumped out to a good start with the events and bands of both Thursday night at Obsidian and the first night at The Capitol Theater on Friday, there is no doubt that Saturday was absolutely the high point of the weekend. I’ll do my best to recall some of the happenings below. But, ya know, it’s been awhile. And I’ve been busy, because life. No matter! Let us begin/resume. Continue reading

Concert Review: Couch Slut at Saint Vitus Bar (June 9, 2016)

All photographs by the one and only Caroline Harrison. Follow her on Instagram (@carolinedraws) and check out her art at her official website.

On a particularly cool June evening, I headed to Greenpoint’s metal mecca, Saint Vitus Bar, to catch a pretty stacked bill for Northside Festival (this show presented by Noisey): Yellow Eyes, Couch Slut, Tombs and Dälek. The highlight of the bill, and the reason for my attendance was Couch Slut. So, despite three other brilliant performances by bands you should support, give money to, go see and generally praise by thinking about them as you drift off to sleep, we will cover Couch Slut’s set in this review. And, if you’re wondering, my night started off at Tommy’s Tavern where Miller High Life is both affordable and cold. So, the words that follow are heavily influenced by that experience.

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