As I write this I’ve got some furious death metal punching holes in my eardrums and some really freakin’ phenomenal bourbon coating my insides. So, a good Friday…wait, Saturday. I don’t know, it’s late or early – whatever. Anyway, Thanksgiving is closing in which, in the metal and music world in general, means EOY time. Yea, I saw the Decibel thing get blasted because some dope leaked it but I didn’t read ahead to see what they picked – all it really did was remind me that I’ve got to start whittling my own list down and decide on this year’s bounty (it’s a must that I stock my liquor cabinet well). Moving on, we’ve got another stacked playlist in store for you below that, more than likely, features songs that will be attending EOY parties across the globe. But the point to this is these are all songs we’ve been cranking lately and we wanted to share the joy. So, BEHOLD, Vol. 56 awaits…
Enjoy your weekend, Happy Thanksgiving, and we will be seeing you here next week.
Life is all about contrasts. Some big, some small, some noticeable and some not so much. But in the end, without them, this would be a boring and laborious life. With that said, for this edition of Second Circle I’m taking a look at two albums that are sharp and stark in their contrasts but both have made an indelible impact on my listening habits as of late and both stood out instantly as albums I’d be engrossed in for different reasons and for some time to come. These albums are Slegest‘s Introvert and Ævangelist‘s Matricide In the Temple of Omega. Continue reading →
By the time this goes to print, I’ll be on the way back from the Holy City where I’ll have indulged in breweries, old architecture and a graveyard or two (hey, old architecture there too) but for sure will have several of this week’s new offerings in my ears for the duration. What exactly is new this week? Read on to find out…
Kicking this thing off in grand fashion is the ever suffocating and esoteric maelstrom of darkness that is Ævangelist on Matricide In the Temple of Omega, this is a band that defies categorization but always pushes the boundaries of black and death metal as well as its listener’s limits. Don’t just sample it, completely bury yourself in its hour of audio terror. Next up is Ghostly White from Deceased who over the course of 30 years and some change have put out consistently great death metal and this eighth full length is no exception but furthermore after all this time the band seems to have more energy than ever and dare I say the best chops yet. Moving along is Introvert from Norway’s Slegest which really scratches that black ‘n’ roll itch I get from time to time, this things just rocks. Period. Last in this week’s opening four is Arête with their debut full length Hymnal which expands on everything that made their 2016 EP such a hit. They’ve taken a genre tag, atmospheric black metal, and offered us the very definition of its parts – as the weather turns cold this is an outstanding companion to steal away from the surrounding world and its crazed pace.
Calling all ghouls, ghosts and freaks: our night is almost upon us and we have, collectively, put together a playlist that will be the perfect companion to whatever debauchery is on tap. But really, it’s a great playlist for anything so head inside to see what’s in store and don’t forget to subscribe here to stay up to date with these things. Oh and hang around until the very end for a couple of extra treats. Continue reading →
Pushing the limits of what one might call a “supergroup,” Curezum, at its core, is an extreme metal tribute to The Cure featuring a motley crew of some of metal’s most seemingly disparate characters. Implausible as it may sound, after a discussion about mutual musical interests, Mort (Megaton Leviathan, Vaital Deul, Alfheimr) and Martti (Barrowlands) discovered they were both, independently, keenly aware of how simple it would be to take the album Pornography by The Cure and re-imagine it as a black metal record. From those coincidental, yet inauspicious beginnings, Curezum was born. After some initial runs with a handful of trial members and bit of a hiatus while both Mort and Martti’s other projects released material, Billy Anderson (Melvins, Blessing the Hogs, Porn) signed on for additional production duties, and a wide array of Portland area metal artists were drafted for a variety of guest performances. As of this writing, the first Curezum album is currently in production, and live rehearsals have begun in earnest. Meanwhile, Curezum’s members are stocking up on popcorn to eat whilst reading comments regarding the weird Cronenberg monster they’ve birthed. Continue reading →