Album Review: Alustrium — “A Monument To Silence”

Alustrium - A Moment to Silence

In a short amount of time, I have come to appreciate the intricacies of progressive death metal, especially since it has been doing incredibly well during a pandemic, where death is rampant and trauma is at its height. While things are slowly improving, it still feels like a sense of dread hangs over this newfound normalcy, and all one can want is a sense of silence. A lot of albums released last year seemed to deal with what happens when trauma is left unchecked, leaving you feeling hollow and as if you have no one to rely on. However, underneath that hollowness stands a sense of hope that’s slowly gaining traction, and that makes you want to get out of bed in the morning. If last year was about the heaviness of trauma, then Alustrium’s A Monument to Silence, an album that seems to straddle the line between experimentation and melody, is about making the decision to deal with that trauma.

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Profile: Chris Kelly of Prog-Tech Behemoths Alustrium

Alustrium

We use the term Behemoths to describe Alustrium as the music on their upcoming third full length, A Monument To Silence, is matching in stature. Their progressive slant on tech death is an absolute diamond in a crowded gem mine and their attention to making each song pop with life and bravado helps keep them at the top of the heap. Their previous two outings were no slouches, but here they are unstoppable on all levels. Creative, catchy, heavy as hell, and bombastic are all proper descriptors but the list could go on and on. Just ahead of the album’s release we posed our Profile questions to guitarist and vocalist Chris Kelly to get under the hood a bit and find out what makes them tick. Head below to see how it went down and DO grab yourself a copy from the links contained within.

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Initial Descent: June 13 – 19, 2021

Alustrium

Any of you pay attention to all the crackin’ singles released last week? If not, hit rewind and peruse our Canto posts to find out. Needless to say, this year is only getting better on the new metal front. Speaking of new metal, we’ve got entries from prog-tech death wonders Alustrium, a split of doom and fuzz from Dead Witches and Witchthroat Serpent (witchy), a slab of super heavy post-metal from Bossk, and a half dungeon synth half 80s horror flick soundtrack from supergroup Arelseum. And, as you surely are aware by now, so much more follows these four so do yourself and these bands a solid and make it rain.

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