Best of 2022: Chris’s Honorable Mentions

Best of 2022


I’ve been thinking about Honorable Mentions lately. We differentiate them from our main lists, but in the grand scheme of things every album we call out on the site is an honorable mention: there’s something about the music, about the power the chords and melodies hold over us that warrants notice, that deserves a voice to amplify the message to a wider, often preoccupied world. In a time when we too often use the tools of social media and the internet to confront, to argue, to parrot – even in the name of awareness – toxic behavior, I find myself moving steadily inward, barricading myself from the noise and burying my head in the sonic pulse of drums, guitar, bass, and vocals both sung and shouted, screamed and pitched in ways that insulate me from the static of the world.

But the music, dumbass! It calls for notice, deserves it. And like 2020 and 2021 this is just the start of a conversation, not the end. So once again: 15 records in alphabetical order. Any other day, any other minute from the time I write this it can change. Does that make it any less valid?

Does it matter if I got you to – even for a moment – consider the virtues of these fantastic records?

You decide. In the meantime, let’s do this.

Continue reading

The Nine Circles Playlist Vol. 245 (8.20.2022)

After years of seeing that cassette logo at the top of every edition of the Nine Circles Playlist (brought to you now for the 245th time) I finally caved and bought a cassette deck for my stereo system. I have a few tapes lying around from niche labels filled with strange and discordant sounds, so why not? Maybe I’ll even find those old mix tapes I used to have in college and see if they’re still in a playable condition…music as archeology, you know?

I don’t know if anything in this week’s playlist is available on cassette, but I can provide definitive proof you can find it on YouTube. The gang brings in tracks from Sarattma, the return of Toxik, as well as new music from Clutch, Revocation, Conan, Conjurer, Lathe, Ripped to Shreds and An Abstract Illusion. We throw in some shoegaze and indie from My Bloody Valentine and Broken Social Scene to break up the extremity (although I still think MBV’s Loveless is one of the most extreme albums to ever come out) before wrapping it all up with some classic tracks, including a live cut from Opeth, some Testament, Merauder, and Watchtower, among others.

Get listening. Stay safe. See you next week.

Chris