Went on a ghost walk last night and even though we didn’t run into any, it did make me think about Ken Foree’s iconic line in the also iconic 1978 Dawn of the Dead film “When there’s no more room left in hell, the dead will walk the earth.” In my estimation, we’ve got to be hurtling towards max capacity down there. Soooo, food for thought and I’ll leave it at that. But before you think on that too much, dive into this new list of metal we’ve got up for grabs – that’s why we’re here so let’s burn it down…
Atlanta’s Cloak offer up their second full length and it betters their debut with larger than life rock swagger, seedier gothic undertones, deeper hooks, and blacker black metal – Cloak rules. Period. Speaking of ruling, Vastum does it again on their filthy, debauchery filled fourth death metal expedition, Texas based Cleric bring even more filthiness with their second full length of classic sounding Swe/Fin/Dutch inspired death metal, and the absolutely electrifying heavy metallers Savage Master are back with their third epic concoction. You need all of these and there’s still a ton more to follow, GET SOME.Continue reading →
As I write this I’ve got some furious death metal punching holes in my eardrums and some really freakin’ phenomenal bourbon coating my insides. So, a good Friday…wait, Saturday. I don’t know, it’s late or early – whatever. Anyway, Thanksgiving is closing in which, in the metal and music world in general, means EOY time. Yea, I saw the Decibel thing get blasted because some dope leaked it but I didn’t read ahead to see what they picked – all it really did was remind me that I’ve got to start whittling my own list down and decide on this year’s bounty (it’s a must that I stock my liquor cabinet well). Moving on, we’ve got another stacked playlist in store for you below that, more than likely, features songs that will be attending EOY parties across the globe. But the point to this is these are all songs we’ve been cranking lately and we wanted to share the joy. So, BEHOLD, Vol. 56 awaits…
Enjoy your weekend, Happy Thanksgiving, and we will be seeing you here next week.
2017 turned out to be a strange year for me musically. In my first full year writing for Nine Circles I had the opportunity to explore different genres and bands I never would have discovered on my own, and taking in so much music (even when I didn’t want to, in all honesty) not only broadened my horizons and (hopefully) improved my critical thinking on music, but also helped me to understand better what it was I needed from music.
Next week I’ll be unveiling my personal Top 25 albums for 2017, along with a second post of 15 honorable mentions. But there was so much that impacted me, and so for this final 2017 edition of Nine Circles ov… I wanted to give out a few of my own personal awards to some bands and albums that left their marks on me. So without further ado, let’s dive in… Continue reading →
I was just talking about how we had crossed into December and BAM! it’s cold and snowing a little. For those of you up north, feel free to make fun of me for my thin blood and thin skin. Me and cold don’t get along very well anymore but as the weather cools down the metal heats up so let’s get to this edition of Initial Descent. Leading us off is Retrocausal which breaks a seven year silence from Cleric and they waste no time showcasing their ability to effortlessly bend sound at will as well as stretch their jagged experimental legs with longer tracks. Next up is the mysterious DSKNT with their debut album PhSPHR which can best be described as bleak and chaotic black metal. Moving along is a three way split, Shades of Sorrow, between Suicide Wraith, Necrolytic Goat Converter and Uncanny Reality — expect a wonderful black metal ear bashing here. Last up in the opening slots is The Line Between from Blood Oath which saw cassette release earlier this year but is being reissued on CD this week so there’s no reason not to get your hands on this amazing blast of raw and pure death metal. That’s a killer opening four but as usual we have way more to discover so slap a hoodie on and cinch up the headphone cords, it’s time. Continue reading →
See that laptop in the above image? I like to think that’s what happened to the circuits that tried to process Retrocausal, the new and long-awaited album from Philadelphia collective Cleric. Moving at light speed from one musical idea to the next, ever restless and seeking even as it clearly lays its feet at the crossroads of bands like Dillinger Escape Plan, Mr. Bungle, and the exploratory avenues of modern free jazz. But rather than get lost in a myriad of riffs and ideas, this massive slab of music works in a similar fashion to doom, with extended run times allowing multiple listens to glean new facets and structures, renewing itself each time. Continue reading →