I truly cannot believe we are just over the hump this week.
Let’s start with The Space Control Tour 2022, which features the likes of Misery Index, Origin, and Wolf King. That’s an awesome trio. Those dates run through the month of May, kicking off on the 6th in Chicago. Tickets go on sale Friday here.
I’ve heard really good things from the new Midnight album, Let There Be Witchery, so I suppose it would be a good idea to include new material from that one. So, here’s “Nocturnal Molestation“. That album drops on March 4th through Metal Blade.
We’ll close with new material from Christian Death. Evil Becomes Rule is out on May 6th through Season of Mist, and a visualizer for “Blood Moon” is available below. They’ve also got May tour dates coming up, so make sure you get in on that as well.
Less positive news has emerged from Khemmis, who has postponed their West Coast tour until June. All previously purchased tickets are still valid, and it sounds like some more dates might even be added. Read up on all that here.
Philadelphia sludge punk collective Backslider released a new track and video today, titled “Pseudomessiah”. That’s taken from the upcoming new album, Psychic Rot, which drops on February 11th through To Live A Lie Records.
Som shared a new track from their upcoming new album, The End of Everything, which is out on January 21st through Pelagic Records. Listen to “Center” here.
We’re going to wrap up with the first new Eight Bells material I’ve heard in forever. Check out “Destroyer” below. Legacy of Ruin is out on February 25th through Prophecy Productions.
It’s late…so late I can barely keep my eyes open. As I write this I’m coasting on the fumes of a Brown’s Oatmeal Stout and Bloodmoon: I, the collaboration between Converge, Stephen Brodsky and Chelsea Wolfe. The week was rough, and we’re staring down the barrel of some serious evil, so why not grab a drink and toast to the end of the world, huh? Maybe the 208th edition of the Nine Circles Playlist is the one that plays as the world burns to ash…we’ll see.
We’re kicking things off with some classic Gwar before turning to a pair of great black metal tracks I recently discovered from Ferriterium and svrm. Vincent reminds us that Eight Bells are back after a long absence, and tunes into my wavelength with some sonic heaviness courtesy of Boris. Anton continues to hold down the fort with the newest single from post-metal masters Cult of Luna but sprinkles in some madness with Dessiderium. Then it’s Buke’s turn and he holds the classic metal torch high, blazing the light on some Death Angel, Edge of Sanity, and Entombed. Want something a little more extreme? Josh reminds us how incredible Imperial Triumphant are with a cut from their new live set, and also hammers us with some Alchemy of Flesh and Bongzilla. Angela gets some fury in as well, bringing in Carcass and MØL before Vincent takes us home with the latest from 40 Watt Sun.
Let’s do better, humanity. I’m tired and just want to see the daylight…preferably with some good tunes in my ears.
Drowse dropped a cover of Slipknot’s “Wait and Bleed” today, and that feels like a thing worth checking out. So… here you go! That’s from a nu metal covers compilation from The Flenser titled Send the Pain Below, which you can grab on vinyl through their Series Three membership.
And we’ll close some Roadburn Redux material from last year. Horte shared footage of “Valoa on liikaa” today, and you can watch it below. That track is taken from Maa antaa yön vaientaa, which dropped on August 27th through Pelagic Records.
Hey all. This has been a great year for music, made better because I got to share so much of my thoughts about what I was hearing with you, alongside the rest of the Nine Circles crew. It’s been a pleasure to work with some of the most talented people I’ve had the honor to know. Thanks to Dan and Corey for getting me started, to Josh Stewart for being a phenomenal editor, and to all the amazing people I do this with whose writing inspired me to better my own. Here’s to many more. And now that the sap is out of the way, on to the tunes.