Amorphis Live at the Palladium, 10.13.2018

Amorphi.10.13.2018.172

Band: Amorphis

Photographer: Corey Butterworth

Location: Palladium, Worcester, MA

Date: October 13, 2018

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Nine Circles ov…Clearing Out the Promo Pile, 2018 Edition

9C ov...Promo Pile

Every leaf that falls from a tree, signaling the beginning of winter and the end of the year feels like it lands as yet another promo I haven’t had a chance to get to yet.  The end of November also marks the time I start flushing out my various end of year lists, creating playlists of contenders and engaging in the massive purge of albums from my computer, releasing albums I’ll never come back to and freeing up precious space on the old hard drive.

But those lost, deserted promos call out to me, begging for another chance to be consumed, to be measured and contemplated.  So think of this edition of Nine Circles ov… as part of the process (or just a cheap sequel to my last post), digging in the dirt for those glints of promise that  – even this late in the year – can change a mind. Continue reading

Video Premiere: Death On Fire – “Hope”

Death On Fire - Hope

Melodic death metallers Death On Fire recently teamed up with Corpse Paint and Dayglo (C.A.P.D.) for a split, Hope, that is wildly different from most things you’ve heard recently. C.A.P.D.’s side has been described as the perfect dance music for the Dark Lord while Death On Fire’s side is more of their unapologetic death metal BUT there’s a twist. Each offers original tracks but also a few unexpected covers that are spicy to say the least. Today, we are proud to bring you the lyric video premiere for the title track, “Hope,” from Death On Fire so head inside to check it out.  Continue reading

Album Review: Aeolian – “Silent Witness”

Aeolian - Silent Witness

Grad school has started, which means there’s been a lot of changes occurring behind the scenes that make me seek comfort in what I already know rather than experiencing new things. However, I couldn’t pass on music from the grandmother country, especially when there’s melodic death metal involved. Given how much I have written on the subject, the fact that I am still interested means that I am completely into finding new elements that seem to illustrate its evolution into something else. The thing about melodeath is that it’s currently evolving into something interesting and electronic. As we hear worlds collide, traditional melodeath – as defined by the popularity of Swedish melodeath, has become more focused on the country or region the band comes from. This has created a different sound that becomes dynamic and much more melodic in tone. With this in mind, we can look to Aeolian, a Spanish melodeath band whose debut album, Silent Witness, has a groovier blend of melodeath that I have not previously heard. Continue reading

Column: The Path To Paradise Begins In Hell – Melodic Death Metal

The Path to Paradise Begins In Hell

In last month’s column, I discussed my love for symphonic death metal and the three albums that brought it to the forefront of my memory. One of those albums, Bu-Tik, seemed to straddle the line between symphonic metal, melodeath, and black metal, which is a good segue into what we will be getting to today.

The more I kept listening to symphonic death metal, the more I began to realize that there was something else to it. Some of the albums I would look into would also have the melodic death label, which intrigued me. As a former cellist, symphonic and melodic were used interchangeably – granted, there is a fine line of separation – so I always associated them with orchestra music or operatic metal. However, sometimes you need someone to push you in a different direction in order to try something new.

After that push, I became somewhat more educated not only in the difference between melodic and symphonic death metal, but also what melodic death metal actually was.

It’s time we talk about melodeath. Continue reading