It’s been a while since I wrote one of these, despite writing about numerous other things and being on the Nine Circles Audio Thing. Blame grad school – I am stuck in this hellhole to further new opportunities, so I am hoping things pan out. Otherwise, I will be so mad. Luckily, I am free (for now!), so here we are!
Anyway, last time, I discussed gothic metal and my appreciation of the aesthetic as a whole. I consider that genre to be the darker side of symphonic metal; instead of the beautiful fairy queen, you get the belle dame sans merci who will make you suffer for your desires. I also wanted to address something that I thought of before we jump into the next genre – if you think about it, there are more men involved in gothic metal than in symphonic metal. Granted, the genres overlap, but men rarely take the spotlight in symphonic metal. Maybe some of you can tell me why?
Now, we can start talking about a genre that is known to be experimental in nature, albeit not avant-garde (I might write about avant-garde at some point). Given our recent discussion of Empath (see podcast), it’s only fair that we look at how this genre has become a staple in my music listening and how it has expanded my horizons into other bands.
It’s time we talk about Progressive Metal. Continue reading