Missed Connections: Looking Back on 2020 One Last Time

Best of 2020

You want more?  You got more.  Not that I exactly want to look back on 2020, but there was so much killer music this past year that I decided to take a page out of Chris’ book and talk about the ones that got away from me, regardless of how great they might be.  I’m not going to go into a lot of detail about why these albums didn’t make the cut the first time around.  It’s the same story for each one, a story about time and energy and brainpower.  This year was draining, both from being alive in the world and from having quite a bit to keep up with in the way of reviews and podcasts for a certain illustrious publication, and while I am proud of the list I put out and I’m not going to go back and amend it, I do think there needs to be more room for discussing what I feel like I missed out on.  Albums that, for whatever reason, needed more than the time I had for me to fully realize them in my mind’s eye, but now I can unquestionably say they belong among the great ones that we got in the last calendar year.

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Best of 2020: Zyklonius’s List

Best of 2020

In 2020, time became a melting flat circle and the concept of eternal recurrence became far too real, mundane and inescapable. Thankfully the high quality of metal released during the year provided solace, perspective and inspiration that helped endure the blizzard of blurring days, weeks and months. Time lost all structural integrity and meaning also in the sense that you will find full-length albums, EPs and even single-track releases on my list, owing to their excellence, innovation, enjoyability, distinct identity and sound as well the evolutionary leaps the featured bands took. The fact that I could omit from my list so many fantastic releases, from the likes of Afterbirth, Havukruunu, Mare Cognitum & Spectral Lore, Serocs, Sweven, Wake and Wills Dissolve, is simply indicative of the sheer quantity of stellar-grade metal in 2020. The list is long and full of flowery prose elaborating why these particular releases resonated with me, so enough with the prefacing.

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