Well that sure was one whole, entire year, wasn’t it?
Like many on this website, 2020 changed a lot of the ways in which I consume new music, and not for the better on my part. The constant thrum of anxiety coursing through my body and mind made critical music listening often difficult, and yet the albums I found this year that I love are some of the best and most affecting music I’ve heard in several years worth of doing this. I went over all of these picks in the end of year episode of our Audio Thing, which I would highly encourage you to listen to here, or wherever you consume podcasts; fair warning that it is a rather long episode, but we worked hard on it and had a lot of fun, so I’d appreciate it if you took the time to check it out. You can consider this main list a companion piece of sorts to the podcast episode. You can listen to me go into detail about the how’s and why’s of my main picks there, but I thought it would be fun to catalog them still, and I threw in some honorable mentions for good measure. Read along after the cut, and a very sincere thank you for another year of readership. I don’t do this for clout and I certainly don’t do this for money, so it means all the more that people take an interest in the things I am passionate about.
Welcome to another edition of our weekly mixtape. On this mix, we’ve got a fair amount of variance coming at you, with tech-death from Ian, noise rock from Jon, all the new death metal picks from Josh, and screamo from…well, who else? You’ll find something to your taste here, so why not check these, and more, out at the link below? It’d kinda be rude not to at this point.
Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Skyeater’s Descent and Stone Brewing Company’s Fear.Movie.Lions.
How are you all holding up? Is the isolation driving you crazy? Do you miss your friends and family? Are you tired of joggers not maintaining social distance? Regardless, I hope you and yours are well during what can only be described as the biggest event any of us will ever live through. And I do hope we live through it. But enough about what’s happening outside, you are here to have some metal drilled directly into your ear holes! So to the point! Continue reading
Welcome back to part two of my best of 2017 series. Last time I talked about my favorite shorter releases from the past year in an effort to shine light on some things that might have otherwise not gotten the respect they deserved. Now comes the meat of the series: my favorite full-length albums. Figuring out this list was a pretty exhausting process, not only because I listened to significantly more full-lengths than I did shorter releases this year, but because I wanted to make an effort to challenge myself when it came to thinking about what really stuck with me. In 2016, my criteria for what I chose to include on my year-end list was more simplistic, and no disrespect is meant to anyone who writes 50 or 100 album lists of everything they thought was cool, but for this year, I wanted to really think about whether or not an album had a genuine impact on me versus just listening to it and thinking it was good. As such, I ended up with a slightly shorter list this time around, and some albums and artists I liked did not end up making it on here, but I feel like this list is the most real representation of my “favorites” than ever. Without further ado… Continue reading