The latest installment from Wode, titled Burn In Many Mirrors, drops on April 2nd through 20 Buck Spin, and pre-orders are up for digital and physical formats. More importantly, at least terms of today’s relevance, they dropped a new track called “Fire In The Hills”, and it is expectedly awesome.
Big | Brave have a new LP coming soon. Vital will be released on CD and digitally on April 23rd, with a vinyl format following on July 9th, from Southern Lord. For a glimpse into what’s to come, check out the video for “Half Breed”. It’s a Friday, so there are new videos to share all over the place, but make sure this one is on your list.
Oceans has a new EP scheduled for an April 30th release through Nuclear Blast, titled We Are Nøt Okay, and today they released a video for the title-track. Andy Dörner of Caliban jumped in to provide some vocals on that one, which is pretty cool.
And lastly, this has been coming for awhile, today is the official release date for Ωmega, the latest studio album from symphonic metal legends Epica. To celebrate the album’s arrival, they’ve also released a new music video for “Skeleton Key”, which has been embedded immediately below. Check it out.
Southern Lord has announced a limited edition reissue of The Art of Self Defense. The repressing of the High On Fire studio debut will be out at the end of March, and can be pre-ordered through Bandcamp or Southern Lord.
Bewitcher released a new video for “Mystifier (White Night City)”, a track taken from their upcoming new album, Cursed Be Thy Kingdom. That album drops on April 16th through Century Media Records, and can be pre-ordered here.
Finally, we’ll close with the latest video from Architectural Genocide for “Gorge on Deceased”. That little number was taken from Cordyceptic Anthropomorph, which dropped on March 13th through Comatose Music.
Somehow the seedy dive bar you enter is darker than the night outside. The music throbs, sending out pulses your cerebral cortex can’t process but some older, primordial part of your brain instinctually knows, and understands. It’s that crux, that convergence of the primal beat that falls partly between the post punk of the early 80s and the tradition of gothic rock and roll, where early Danzig meets The Cult and howl into the moonlight. Call it whatever you want, “death rock” or otherwise; there’s no mistaking the bleeding heart of influence laid bare on the sleeve of The Wraith. To have something like Gloom Ballet arrive like a shot so late in the year is like that one drink at said bar that puts you over the edge from wary observation to full-on goon dance, and it’s a marvel to experience. Continue reading →
Best of lists are flying out like gangbusters and we’ve still got so much good stuff coming out on a weekly basis that WILL be list busters. You doubt this statement yet haven’t looked below to see what’s in store; do that.
Sentient Horror makes the best American Swedeath ever, and with their latest they do that and so much more; it’s like a geographical map of the best death metal wrapped up in one album by some talented musicians – scrumptious. For their sophomore effort, Teeth ratchet up the grind aspect of their death metal and knocks it clear out of the park, The Wraith offer up a debut that’s gotten some serious mileage here at 9C for its combination of gothy deathrock and post-punk, and the band with the most umlauts ever, Öxxö Xööx, return with another epic movement of avantgarde, experimental doom that’s a vehicle for its mastermind’s dreams – don’t be curious here, just get it. In closing, I said there would be list busters and now it’s up to you to find them…Enjoy. Continue reading →