Receiving the Evcharist: Black Curse and Kool Kid Hops

Receiving the Evcharist 2018

Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Black Curse’s Endless Wound and Chapman Crafted Beer’s Kool Kid Hops. Continue reading

CANTO: Horrendous, Spectral Voice, Steve Von Till, and More

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Alright, let’s see how much I can catch up on.

“Ein Bier… bitte.”
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CANTO: In Flames, Fire in the Mountains, At The Gates, and More

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On a Friday? In this economy?

“Ein Bier… bitte.”
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CANTO: Tribulation, Kaoteon, and a Couple Massive Tours

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1/12/2018. Friday. Did I really complete a full week? Damn.

  • Tours. Everywhere. The first one is just a rumor for now (I think), but it features SlayerLamb Of GodAnthraxBehemoth, and Testament. Massive. It’s like a more watered down version of last year’s tour.
  • Now for a tour I’m more excited about. Primitive Man and Spectral Voice. God. Dammit. That is going to kick ass.
  • How about one more new Tribulation song before the album drops? This one is called “The World”. And my excitement for Down Below continues to grow exponentially.
  • So this is pretty cool. Check out a new track from blackened death metallers Kaoteon called “Damnatio Memoriae”, the title-track from their new album out February 23rd. The group features members of Obscura and Marduk.

“Ein Bier… bitte.”
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Best of 2017: Vincent’s List

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Welcome back to part two of my best of 2017 series.  Last time I talked about my favorite shorter releases from the past year in an effort to shine light on some things that might have otherwise not gotten the respect they deserved.  Now comes the meat of the series: my favorite full-length albums.  Figuring out this list was a pretty exhausting process, not only because I listened to significantly more full-lengths than I did shorter releases this year, but because I wanted to make an effort to challenge myself when it came to thinking about what really stuck with me.  In 2016, my criteria for what I chose to include on my year-end list was more simplistic, and no disrespect is meant to anyone who writes 50 or 100 album lists of everything they thought was cool, but for this year, I wanted to really think about whether or not an album had a genuine impact on me versus just listening to it and thinking it was good.  As such, I ended up with a slightly shorter list this time around, and some albums and artists I liked did not end up making it on here, but I feel like this list is the most real representation of my “favorites” than ever.  Without further ado… Continue reading