You know who I really like? Hinayana. You know who dropped a new video today? Also Hinayana. It’s for “The Window” and it’s as awesome as I would have hoped. If I can get my junk together, I’ll be talking about this in more depth in the coming days.
Good morning, it’s time to metal. Here’s some news you might have missed from yesterday:
Leading off, Septicflesh have announced their new album, Codex Omega, which will drop September 1 via Prosthetic Records. You can check out the new single, “Dante’s Inferno,” here. If you like Septicflesh, you should do that. If you don’t, this probably won’t change your mind. But good for them either way.
If you were alive and conscious throughout the year 2011, chances are, at some point or another, you heard the song “Midnight City” — an infectious dream pop tune from French musician Anthony Gonzalez (a.k.a. M83) that captured the wonder and adventure of his move to Los Angeles. It was one of the best songs of the year, from one of the best albums of the year, and it instantly set up a microscope over Gonzalez’s future output. From a critical standpoint, whatever follow-up material might surface down the road was preemptively put on watch.
Setting aside his soundtrack to the 2013 film, Oblivion, that follow up finally arrived in April 2016, in the form of M83’s seventh studio album, Junk. So how’d the thing hold up under the weight of gargantuan expectations? Continue reading →