New week, new set of circumstances, new opportunities, and new metal which is the one reason we’re here. As some band once said ‘nothing else matters.’ And with that, let’s get on with it.
This week will be remembered for many reasons, I’m sure, but the biggest of which is whatever you thought you knew about Lord Dying forget it and make way for their new, more progressive, more classically psychedelic, and more fantastic look on Mysterium Tremendum – talk about surprises, it’s nearly impossible to tell this is the same band but make no mistake, it IS amazing. Then we’ve got black metallers Murg who moved mountains with their debut Gudatall but return to grab the sky and move it too on Strävan, it’s everything that was great about their debut, just better and particularly so in the memorable songwriting department. Next is everyone’s favorite droners Sunn O))) (say it with me…sun) who return with another slab of frequencies on Life Metal that are so heavy you can feel them, or breathe them – points if you know where that came from and if you missed out on RSD, now’s your chance. Last up top but certainly not least is Spotlights who prove that post-metal as a tag is limiting seeing as how Love & Decay is so much more with its power, haunting melodies, and wisps of granite destroying heaviness – ‘iron tone in a velvet glove’ was part of the promo accompaniments and it couldn’t be more accurate.
Bands that appear to already be working on a new stuff… Deafheaven, who released Ordinary Corrupt Human Love back in July and are hinting at something this calendar year, and Ghost,who is/are already planning a new album in 2020. Not upset.
The video today comes from Brazilian progressive metal band Angra. Check out the clip for “Magic Mirror” immediately below.
Week Two of the annual Hoop-Tober marathon brought a little more quality to the table, with three films being a genuine pleasure to watch. Carnival of Souls was a gorgeously shot fever dream that would embed its claws into David Lynch years later when he would begin Eraserhead. Sean Byrne sidesteps the sophomore slump with the evil slow burn of The Devil’s Candy, featuring some knockout performances as well as a killer metal soundtrack with the likes of Metallica, Slayer, and Sunn 0))) – who puts Sunn 0))) in their movie?! And The Unholy Three, besides being an awesome name for almost anything, turns out to be an insane crime caper featuring man of 1,000 faces Lon Chaney and some assured direction from Tod Browning before he came huge with Dracula and Freaks.
The less said about Prom Night and my first (and only) exposure to “classic” Cannibal Holocaust, the better. Although to be fair, one is redeemed by Jamie Lee Curtis’s dancing. I’ll let you decide which film that is. Excerpts and link below. Continue reading →
Before doom became the cool thing, the most extreme end of its spectrum was positively terrifying. Before hordes of amp worship bands, before two-cent Electric Wizard clones with gear that costs more than the van it’s hauled in, before seemingly every new “doom” band was basically layered feedback with screams on top, before needlessly prolific outfits started churning out one collaboration right after another and captured the ears of millenials who are oblivious to the development of extreme metal and its past…. there was Khanate. Their self-titled debut scared the living hell out of me when I was 16, and even amidst the current scene’s Primitive Mans and The Bodys (Do I conjugate that to the proper plural or not?), Khanate is still the most grippingly bleak and abrasive band in doom metal, even after their demise. Continue reading →