Best of 2022: Dan K.’s Favorite Heavy Stuff

Best of 2022

Woohoo! I actually recognize some of the albums in that picture!

Yyyyyyep, I’m still here, y’all. And hey! I actually made a good amount of time for heavy stuff this year. I think the phrase “heavy stuff” is pretty key, here. Not all of the stuff on my entry* will be “metal,” per se. Is that in keeping with the site’s general aesthetics? Perhaps not. Do I care? Also, perhaps not.

* It’s not a ranking. You know how I feel about rankings.

For, uh… almost as long as this site has existed, if we’re being honest… I’ve been putting together these end-of-year recaps and kinda struggling for things to say in any of them. I mean… I love the team we’ve got here at Nine Circles. I like metal (I think). I’m neutral on making-sure-I-listen-to-all-the-important-albums-in-a-given-year. Most of the time, I don’t like justifying my opinions on said albums. And of course, I fucking hate ranked lists.**

** Now you really know how I feel about rankings.

So, where does that leave me? And why do I keep bothering with these kinds of posts?

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Best of 2022: Chris’s Honorable Mentions

Best of 2022


I’ve been thinking about Honorable Mentions lately. We differentiate them from our main lists, but in the grand scheme of things every album we call out on the site is an honorable mention: there’s something about the music, about the power the chords and melodies hold over us that warrants notice, that deserves a voice to amplify the message to a wider, often preoccupied world. In a time when we too often use the tools of social media and the internet to confront, to argue, to parrot – even in the name of awareness – toxic behavior, I find myself moving steadily inward, barricading myself from the noise and burying my head in the sonic pulse of drums, guitar, bass, and vocals both sung and shouted, screamed and pitched in ways that insulate me from the static of the world.

But the music, dumbass! It calls for notice, deserves it. And like 2020 and 2021 this is just the start of a conversation, not the end. So once again: 15 records in alphabetical order. Any other day, any other minute from the time I write this it can change. Does that make it any less valid?

Does it matter if I got you to – even for a moment – consider the virtues of these fantastic records?

You decide. In the meantime, let’s do this.

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CANTO: 200 Stab Wounds, Ghost Bath, Obituary, and More


I missed this yesterday because I was Oceaning and Katatoning… and it was glorious.

  • Metal Blade Records has announced a new member to their roster, in 200 Stab Wounds. This… is awesome. Check out a new track called “Masters of Morbidity” here. All this comes as they set out on their co-headlining tour with Undeath, with support from Enforced and Phobophilic.
  • Ghost Bath have announced a co-headlining tour with Harakiri For The Sky, and having seen them live before, I can speak to this being one everyone should try and make happen. Anyway, those dates are next April and May, so you have a little while to get your shit together.
  • This came through yesterday, but I wasn’t around so you’re getting it now. Death metal legends Obituary are releasing a new album on January 13 through Relapse Records titled Dying of Everything. Give “The Wrong Time” a listen here. It’s solid. Just my very unprofessional opinion.
  • And this came through two days ago. Thy Art Is Murder announced the “Decade of Hate” tour early next year with Kublai Khan, Undeath, I Am, and Justice For The Damned. That is… immense. Good stuff.
  • I’ve been really into the new stuff emerging from In The Woods… lately, so we’ll head into the weekend with their new single titled “Master of None”. As a reminder, Diversum, is out on November 25 through Soulseller Records.

“Ein Bier… bitte.”
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The Nine Circles Playlist Vol. 251 (10.1.2022)

Second booster. Feel like shit (déjà vu?)…I’m not complaining, just stating the current state of my body at the moment. So let’s get to it for the 251st edition of the Nine Circles Playlist.

Kicking it off with a few recent discoveries for yours truly with new releases from Phobophilic and Toadeater (thanks BANGERTV) as well as a classic from Life of Agony. Then we have a blessing in the form of new freakin’ music from -(16)- as well as cuts from Gaerea, Yandere Chainsaw Regurgitation Factory, Frayle, City of Caterpillar (thanks Vince because I am loving this), and Panopticon, as well as music from Chat Pile, Wailin’ Storms, Foscar covering Alice in Chains, Devenial Verdict, and a host of classics from the likes of Yob, Cathedral, Baroness, and more.

Get listening. Stay safe. See you next week.

Chris

Nine (or so Heavily Qualified) Circles ov…2022: A Mid-Year Report

voss mid-year report 2022

Okay, so I may have only formally reviewed 11 albums by the mid point this year, but that’s one more than I was at last year, so victory! However, that doesn’t count the 30 other albums covered in earlier editions of Nine Circles ov (like the Stoner Metal one, or the promo pile one, or the non-promo pile one) or Second Circle. Not to mention my folders telling me I’ve listened to 151 metal albums so far this year. It’s scratching the surface, I know…but at least there are quantifiable metrics for you to assess whether or not I’ve met my acceptance criteria to mark this feature as Done.

And now that my work life has completely blended into this post, let’s talk about how massive 2022 has been so far. We’re once again turning this edition of Nine Circles ov… into a dozen and I’m even going to throw some bonus mentions into the mix. Are these my absolute favorites of the year? Kind of: I wanted to highlight some albums I haven’t seen a lot of coverage on as well as some definite big guns I really dig so far. So what I’m saying is, here’s a big list of stuff I love. Maybe you’ll love it, too.

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