Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Sinmara’s Hvísl Stjarnanna and Boulevard Brewing Company’s Tank 7 Farmhouse Ale. Continue reading →
Mid December and everyone is smack dab in the center of the end of year festivities. We’ve begun and will continue, as will many others so be sure to stick around for all the party favors and maybe even an album or two you missed. But wait! We still have a couple weeks of new releases to go and the quality just won’t quit. What’s up this week? Read on…
Germany’s Sulphur Aeon are back with their third full length The Scythe of Cosmic Chaos and I don’t disagree with what a good friend of mine had to say about it: “they’re dropping that killer The Satanist follow up Behemoth forgot to do.” Next up is the Greek technical death metal phenoms, Cerebrum, with Iridium and this is one full of complexities designed to make you beg for more and then there’s the brutish vocals, just sayin’. Last up top this week (yea, I did go with three this week and glad you noticed) is the HM2 infused death / black / melodic powerhouse In Shadows and Dust with Enlightened By Darkness — this thing smokes, so hop to it.
The quantity wanes but, like I said, the quality remains. Just be sure to keep exploring in the midst of all the EOY shindigs. Continue reading →
Sickness sucks. I’ve been fighting a damn cold for what feels like an eternity and it just won’t quit. YAY ME. Ugh. But, you know what makes me feel better? Hey WHAT, you don’t care?! FINE. But, I’m saying it anyway because I can: new metal makes me feel better and there’s another heaping load of it this week so let’s hop to it, shall we…
Graf Orlock, who define DIY hardcore punk these days, returns with their fourth full length (and 11th release overall) Examination of Violent Cinema, Volume 1which features inspiration from, you guessed it, violent films released in 2017 and autopsied corpse packaging but really it’s another notch in the belt of a band that defines its own genre in 2018. Viscera/// return with a quick hitter EP in the form of City of Dope and Violenceand it’s a twisted rail of hardcore, sludge and experimentation but a fast trip you’ll want to take. Svartidauði have been through a whirlwind of life happenings in their short existence but that didn’t stop them from releasing a stunning sophomore effort of epic black metal on Revelations of the Red Sword. Last up top this week is the labyrinthine maze of progressive / technical death metal from Zealotry on At the Nexus of All Stillborn Worldswhich is the band’s maiden voyage for Unspeakable Axe, perfect fit.
After that opening four I’m already feeling better. Thanks for your concern…or not. Anyway, you know what to do next. GO. NOW. Continue reading →
Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Svartidauði’s Revelations of the Red Sword and North Coast Brewing Company’s Cranberry-Quince Berliner Weisse. Continue reading →
In case you missed it or just need a podcast to get you through Monday, we featured our July album of the month late last week and you can listen right here. It was nearly a full house and absolutely a ton of fun was had so check it out. Alright then, a new week means new metal and lots of it…
Kansas City’s noise rock champs Bummer offer up their debut full length Holy Terror which lands on the dirty, grungy side of the genre but – lucky for me – that falls squarely in my wheelhouse and simply put, this album is everything I look for in noise rock. King Dude returns with Music To Make War To and the Dude continues his journey as one of the best dark neofolk artists around. Netherlands are a busy bunch having not long ago released an EP and now are back with their next full length Black Gaia — there’s entirely too many good things to say about this wildly experimental band from Brooklyn so I’ll leave it at: GO BUY IT. And, closing out the opening slots is the chunky, heavy as concrete, violent as a hammer to the face metallic hardcore of Jesus Piece on their debut Only Self.
Stunning openers but there’s so much more to come so hang with us for a while and explore.Continue reading →