Second booster. Feel like shit (déjà vu?)…I’m not complaining, just stating the current state of my body at the moment. So let’s get to it for the 251st edition of the Nine Circles Playlist.
Kicking it off with a few recent discoveries for yours truly with new releases from Phobophilic and Toadeater (thanks BANGERTV) as well as a classic from Life of Agony. Then we have a blessing in the form of new freakin’ music from -(16)- as well as cuts from Gaerea, Yandere Chainsaw Regurgitation Factory, Frayle, City of Caterpillar (thanks Vince because I am loving this), and Panopticon, as well as music from Chat Pile, Wailin’ Storms, Foscar covering Alice in Chains, Devenial Verdict, and a host of classics from the likes of Yob, Cathedral, Baroness, and more.
Each week seems to be slightly weirder than the last.
Midnight has their new album out today, Let There Be Witchery, so we’ll lead off with the new video for “Szex Witchery”. It’s a lot of fun, I promise. Anyway, their fifth full-length is out through Metal Blade, just in case you still need it.
The work of goth/punk band Samhain may be forever overshadowed by singer Glenn Danzig’s previous and subsequent projects, the Misfits and Danzig. However, it is not for lack of influence, with its prodigious, unconfined sound and horror aesthetics giving early shape to a legion of styles. We All Want Our Time In Hell Samhain Tribute, a new compilation album by a range of emerging and veteran punk, metal and noise bands, is deeply grounded in that history, with a glance to the future. Continue reading →
Colombia’s Lucifera got their start in 2008, split once then reformed and as of February 24 will be releasing their third full length, Preludio del Mal (Morbid Skull Records) which is twelve tracks of vicious blackened thrash metal. It shares the same kind of vitriol Sarcofago spit many years ago but also shares an early Venom vibe in the sense of speed and a lo-fi, almost organic sound. Further making this album a must have offering is the way the band intertwines melodic passages yet still manages such an explosive and sinister feel. Today we have an exclusive stream of the fourth track “Alianzas de Acero y Metal” (translated: steel and metal alliances) which is a perfect example of the kind of furious speed and memorable songwriting the band is capable of. And those vocals from Alejandra Blasfemia, sung in the bands native tongue, are primitive and deadly lending perfectly to the whiplash nature of the song as well as raising the ferocity level several more notches. Don’t wait any longer, jump in and have a listen. Continue reading →