Episode 48 of The Nine Circles Audio Thing is all about the Album of the Month for June which is Behold the Silent Dwellers by Spain’s black metal purveyors Aversio Humanitatis. Buke once again captains the episode joined by Vince, Ian, Charles, and Anton who had the pick for the month! Continue reading →
And, we shall march forward. Forward to an unknown future. Forward to an unknown new norm. Forward to some more bullshit. How about forward to some new metal? That’s my jam, so let’s roll. Aversio Humanitatis grace us with their second full length and I say grace us because it’s an epic level outing of black metal that cracks skulls as easy as it mesmerizes with grandiose skill and songcraft; dark, atmospheric, and sharp as an axe so, do the thing. Then we’ve got Zebadiah Crowe with an excellent name, excellent album cover, and equally as excellent blackened thrash with an industrial tinge, do this one too. Moving along, Ritual Mass offer up a quick ass kicker of death metal and honestly since it’s on Caligari that should tell you all you need to know about its quality. Last but far from least is a vinyl issue of one of the filthiest death metal names in the game, Cryptworm. No excuse to not have this on your turntable. And there you have it, the top four this week but there’s so much more below that awaits your hard earned dollar. Keep your heads on straight and keep trudging, we’re all in the same stinking ass boat. Continue reading →
Welcome to another Saturday morning playlist. We live in weird times but great new music is still here to carry us through. Case in point, this week I’ve brought you the newest one from The Ruins of Beverast and Ulcerate (Stare Into Death and Be Still is quickly becoming one of the most anticipated albums by our staff). Anton also brings in the new one from Aversio Humanitatis, which is another album I’m hotly anticipating. And for something a little different, we are including ‘Slaves to the Grind,’ a documentary about the grindcore scene at the end of the playlist. So check out the tunes and get some culture in you, all at the link below.
Another trip around the sun, another stellar year for metal, with a wealth of riveting riffage, pulverizing beats, blood-curdling growls and blazing tremolos. Verily, this is an era of abundance, where it is impossible to stay on top of the deluge of top-shelf metal released every week. Best of all, quality seems to go hand in hand with quantity. If there ever was an antithesis to the contemporary temptation for instant gratification and disposability, every album I included in my mid-year stocktaking exercise ended up on my end-of-year list, having continued to impress and astonish me as time went by, testament to the spectacular songwriting, boundless creativity and killer riff delivery of the bands that conjured up these stunning works of art. And just when I thought things could not get any better, both seasoned veterans and hungry newcomers arrived, bearing gifts of seismic impact. I hope the following releases enrich your life, even if only with a fraction of the effect they had on me. Now, dig in! Continue reading →
Thanks to the demands, deadlines and drudgery of my day job, this stocktaking listicle was delayed two weeks past its intended publication date at the half-way point of the year. In the intervening time, additional waves of releases were unleashed, a reminder of the golden era of quantity and quality we are currently living in. It has become increasingly challenging to stay on top of must-hear releases, even with obsessive research and vigilance, but the untold satisfaction of unearthing new records that hit you like a brick in the face, make being a metalhead in this day and age such a thrilling glory ride.
I had a difficult time narrowing the following list (in alphabetical order) down to only ten releases (ultimately, the aforementioned day job dictated its final length) that have made a lasting impact in my heart of hearts during the first six months of this year, thanks to their creativity, vision, emotion, pummeling ferocity, gripping melody, riff mastery, headbangability, confident musicianship and that certain je ne sais quoi that elevates some albums and the whole genre to dizzying artistic heights. Continue reading →