We do love exploring the transcendent and slightly out-there here on Rainbows, but that has always been the draw of this column. I’m always looking for something that no one else is doing, and with RÏCÏNN I have definitely found that. The project’s debut album Nereïd is a successful amalgamation of the widest variety of influences, and it manages to take much of what you know and expect about how music is crafted and turn it completely on its head. It’s equal parts strange, ambitious, and breathtaking, and it’s guaranteed to be unlike anything you’ve ever heard.Continue reading
Best of lists are flying out like gangbusters and we’ve still got so much good stuff coming out on a weekly basis that WILL be list busters. You doubt this statement yet haven’t looked below to see what’s in store; do that.
Sentient Horror makes the best American Swedeath ever, and with their latest they do that and so much more; it’s like a geographical map of the best death metal wrapped up in one album by some talented musicians – scrumptious. For their sophomore effort, Teeth ratchet up the grind aspect of their death metal and knocks it clear out of the park, The Wraith offer up a debut that’s gotten some serious mileage here at 9C for its combination of gothy deathrock and post-punk, and the band with the most umlauts ever, Öxxö Xööx, return with another epic movement of avantgarde, experimental doom that’s a vehicle for its mastermind’s dreams – don’t be curious here, just get it. In closing, I said there would be list busters and now it’s up to you to find them…Enjoy.
Abigail Williams have long been a perplexing band as they never seem to settle on one particular sound. Ken Sorceron, the only constant member and band front-man, seems to go wherever the music takes him. It’s no surprise that after loving 2012’s Becoming, I didn’t like their 2015 follow up, The Accuser. So here we are in 2019 with Abigail Williams’ Walk Beyond the Dark, easily one of the most creative black metal albums I’ve heard in ages.
The story of Avandra and how their sophomore effort, Descender, came to be on Blood Music is one filled with strife and a fairy tale turn of events. The album was written in the wake of Puerto Rico’s devastation caused by Hurricane Maria and due to the huge response from their debut, one fan wrote to Blood Music and the rest, as they say, is history. Or at least, how they ended up where they are now. Avandra’s music is progressive in nature, epic in scope and sound, and overall a pleasure to listen to with just enough bite to cut through the otherwise majestic atmosphere. Just ahead of the album’s release we had the chance to pose our Profile questions to mastermind Christian Ayala Cruz, who also takes care of vocals, guitars, and synths, so head below to see how it went down. Continue reading
On the Scriptnotes podcast, professional screenwriters John August and Craig Mazin dispense advice to young and aspiring writers, and a recurring thread is the idea that building a career of screenwriting isn’t about writing one perfect script, but about being able to repeat that process on an ongoing basis. While not diminishing the merits of a single particularly good work of art, longevity requires more than that. That is the question that is asked of Astronoid’s self-titled sophomore album. Continue reading