The story of Avandra and how their sophomore effort, Descender, came to be on Blood Music is one filled with strife and a fairy tale turn of events. The album was written in the wake of Puerto Rico’s devastation caused by Hurricane Maria and due to the huge response from their debut, one fan wrote to Blood Music and the rest, as they say, is history. Or at least, how they ended up where they are now. Avandra’s music is progressive in nature, epic in scope and sound, and overall a pleasure to listen to with just enough bite to cut through the otherwise majestic atmosphere. Just ahead of the album’s release we had the chance to pose our Profile questions to mastermind Christian Ayala Cruz, who also takes care of vocals, guitars, and synths, so head below to see how it went down. Continue reading →
On the Scriptnotes podcast, professional screenwriters John August and Craig Mazin dispense advice to young and aspiring writers, and a recurring thread is the idea that building a career of screenwriting isn’t about writing one perfect script, but about being able to repeat that process on an ongoing basis. While not diminishing the merits of a single particularly good work of art, longevity requires more than that. That is the question that is asked of Astronoid’s self-titled sophomore album. Continue reading →
Oh, this is probably worth mentioning. Interested in owning a piece of black metal history? Well, a fragment of Dead’s skull can be yours for a slim $3,500.00. Yes, you can literally own a piece of the deceased Mayhem vocalist (accompanied by a letter from Euronymous dated in 1991, five days after Dead’s suicide). Crazy and WEIRD.
Big news from Astronoid today. Their second, self-titled, full length album will be out February 1st through Blood Music. You can catch them on tour early next year with Between The Buried and Me and Tesseract. For now, however, you can check out a new song called “I Dream In Lines.”
Megaton Leviathan felt like a secret, something I discovered browsing through Bandcamp late one evening that none of my friends knew about. Funeral cosmic doom that embraced so many disparate elements to craft a forlorn style of music that spoke directly to the frightened receptors in my brain. After a sizable gap in time Mage has fallen to the cold, hard ground to remind me that buried in the dark is a lush sense of melody and decay. Continue reading →
My weekend festivities consisted of healthy doses of horror and metal, as it should. How many of you caught the new Halloween? I thought they did a great job with it and the fact that they packed it with stuff for fans of the original was a definite plus. And I’ll leave it at that in case you haven’t seen it yet. As for the metal, read on to see what’s in store this week…
Hate Eternal are back with their seventh full length of wildly technical but oh so good death metal on Upon Desolate Sands – I’m not calling it a triumph over Infernus yet but Rutan and co. kill it as usual. No matter what camp of Bloodbath you frequent the most, their fifth full length The Arrow of Satan Is Drawn offers enough horror fueled Swedeath for any and all parties, I dig it. Norway’s Sjukdom keep it frosty with 90s style black metal but offer just enough melodicism to trip my trigger on Stridshymmer Og Dodssalmerand Oregon’s Megaton Leviathan turn the psychedelic drone of Mage into an entrancing ritual which makes it a worthy successor to their stunning Past 21: Beyond the Arctic Cell.