With #BestOf2020 coverage having been fully underway here at Nine Circles for a couple of weeks, it’s time for a bit of a breather. Time to crank down the volume, switch off the HM-2 pedal, and talk some non-metal for a change. If you read Ian’s end-of-year Rainbows in the Dark post and thought to yourself, “boy, I sure would like a two-and-a-half-hour audio version of THAT,” well, reader, have I got the post for you!
A little while back — okay, basically a month back now, because I work in a hospital and doing anything productive when I’m not at work has been a tall order this year — fellow non-metal aficionado Chris Voss and I sat down to talk about our favorite stuff from all the other genres that dropped this year. There’s some shoegaze and some folk, some powerful hip-hop and some super-catchy synth pop. We covered as many bases as we could, for a near Buke-sized amount of time.
So if you, too, need a break from all the heavy stuff, jump on in and check it out. If anything strikes your interest, our full lists are included below the episode audio. Maybe some of the stuff that floated our boats will float yours too!
Blast beats to melancholy drumming, tremolo picking to soft folk guitar—top it off with poetic lyrics in different languages growled, sung, and spoken, wrap it all up in a beautifully illustrated package and you get That Same Evergreen I Love So Well, Despite the Way Its Shadows Make Me Sad. The talented NYC duo Duende en la Penumbra brings plenty to the table in this debut album. Their unique blend of genres (black metal, folk, progressive metal, electronic, to name a few) and blend of languages (English, French, Spanish) create something intriguing and ever-changing. Continue reading →
Scott Endres has been a busy man over the years with MAKE, which most of you will be familiar with, and The Pod, which you may or may not be familiar with. The Pod has existed right alongside MAKE and is the place Endres goes to make music that is completely devoid of any outside interferences and completely on his own terms. His latest album, The Pod, is a collection of personal favorites over the last few years and a couple new tracks, all of which are an amalgamation of drone, electronic, ambient and even black metal. But it works, and tremendously so. Continue reading →
Nine Circles is extremely pleased to announce that North Carolina’s The Pod will be releasing their upcoming album, titled The Pod, June 2 via Accident Prone Records. In anticipation of that release, we have an exclusive preview of the fourth track from the new album titled “Lifegiver.” And on top of all that we also have an interview with The Pod’s mastermind Scott Endres. More than enough reason for excitement (and we are very excited), so dive right in to get the details. Continue reading →
Revision, the second full length from Pennsylvania’s Hex Inverter, saw its release a little over a month ago. Once the album’s hooks are set, putting it down is not an easy task. It’s different to be sure, no grinding guitars or blast beats but the electronic and industrial repetitiveness layered over ambient, and at times folk, soundscapes is nothing short of mesmerizingly addictive. From “I Swear I’m Not My Thoughts” with its bombastic western flair to the drone and psychedelic folk of “Daphne” to the dark and industrious “Cannibal Eyes” the album begs repeated listens to fully wrap your brain around. We recently had the opportunity to ask Christian McKenna (vocals, keys and loops) our set of Profile questions, see what he had to say after the jump.