Woohoo, it’s new segment time! Technically Inclined will be a new jam here on the Audio Thing, devoted primarily to appreciating the oft-overlooked — at least on this blog — genre of technical death metal.
Tech death: Buke’s known and loved it for years; Dan’s neutral and limited in his knowledge of it. And so, Technically Inclined will celebrate the genre by having Sensei Buke educate Padawan Dan on its many intricacies — one album (or in this case, one band) at a time. (Plus, with these goons, you know there’ll be jokes and banter involved. It’s basically written into our contracts at this point.)
So! For our first (and hopefully not only) venture into this world, jump on in and join us for our thoughts on dormant German tech legends NECROPHAGIST!
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This episode of The Nine Circles Audio Thing is all about the Album of the Month for September which is Phanerozoic II: Mesozoic | Cenozoic by Germany’s post metal/progressive metal juggernauts The Ocean which is available now on Metal Blade Records and Pelagic Records. Buke once again captains the episode joined by Vince, Ian, Angela, Hera (Cat), and Jon!
The modern hardcore scene is fast approaching overcrowding, not unlike any other genre of music or metal for that matter. However, this is not news to anyone that’s been paying attention and especially those that had eyes on all the best of lists from last year and just how many modern hardcore albums made it. Giver is one such band that will see action in lists this year, count on it. Their recently released sophomore effort, Sculpture Of Violence, sees the band not only busting eardrums but playing around with subtle melodies and raucous punk at times but it’s the impact of well placed doom and blackgaze that steals the show and offers despair and darkness that even the best of soaps won’t wash off. In an ever growing scene Giver truly stand out as a highlight and a band not to miss. We recently caught up with them armed with our set of Profile questions so jump in to find out how it went down and don’t forget to show them some support. Continue reading →
Car Bomb is, in many ways, an anomaly in extreme metal. They’ve done things on their own terms for nearly twenty years now and with each new album they continue to push not only their own boundaries but the boundaries of extreme metal. The recently released Mordial is yet another shining example of pushing forward and even toppling their fantastic Meta from 2016. Progressive, mathy, grind, bombastic, are all tags that fit the band’s sound but still barely touch the totality of their capabilities and they showcase all of this and so much more on this new album. Head below to dig in. Continue reading →
One of the elements missing from a lot of the writing on black metal is an acknowledgement of the nostalgia that underpins much of the genre. Whether it’s a yearning for a lost golden age of one’s culture, a disgust with modern conventions, or an invocation of a more primal, naturalistic state, black metal sets its gaze towards the past. Perhaps no culture has a greater understanding of the psychological complexities of nostalgia than the Germans. Their language contains words untranslatable into English, like weltschmerz (an emotional exhaustion brought on by knowing that the world can never live up to the promise of the imagination) and sehnsucht (impossible yearning for something achingly familiar that may not actually exist). With this in mind, it makes sense that German black metal amplifies the genre’s already-present nostalgic quality, creating a uniquely identifiable sound that’s both mournful and epic. Continue reading →