The modern hardcore scene is fast approaching overcrowding, not unlike any other genre of music or metal for that matter. However, this is not news to anyone that’s been paying attention and especially those that had eyes on all the best of lists from last year and just how many modern hardcore albums made it. Giver is one such band that will see action in lists this year, count on it. Their recently released sophomore effort, Sculpture Of Violence, sees the band not only busting eardrums but playing around with subtle melodies and raucous punk at times but it’s the impact of well placed doom and blackgaze that steals the show and offers despair and darkness that even the best of soaps won’t wash off. In an ever growing scene Giver truly stand out as a highlight and a band not to miss. We recently caught up with them armed with our set of Profile questions so jump in to find out how it went down and don’t forget to show them some support. Continue reading
Car Bomb is, in many ways, an anomaly in extreme metal. They’ve done things on their own terms for nearly twenty years now and with each new album they continue to push not only their own boundaries but the boundaries of extreme metal. The recently released Mordial is yet another shining example of pushing forward and even toppling their fantastic Meta from 2016. Progressive, mathy, grind, bombastic, are all tags that fit the band’s sound but still barely touch the totality of their capabilities and they showcase all of this and so much more on this new album. Head below to dig in. Continue reading
One of the elements missing from a lot of the writing on black metal is an acknowledgement of the nostalgia that underpins much of the genre. Whether it’s a yearning for a lost golden age of one’s culture, a disgust with modern conventions, or an invocation of a more primal, naturalistic state, black metal sets its gaze towards the past. Perhaps no culture has a greater understanding of the psychological complexities of nostalgia than the Germans. Their language contains words untranslatable into English, like weltschmerz (an emotional exhaustion brought on by knowing that the world can never live up to the promise of the imagination) and sehnsucht (impossible yearning for something achingly familiar that may not actually exist). With this in mind, it makes sense that German black metal amplifies the genre’s already-present nostalgic quality, creating a uniquely identifiable sound that’s both mournful and epic. Continue reading
I had never heard of Narvik until this album found its way into my inbox, but I was still compelled to cover their latest full length album, Ascension to Apotheosis, for a couple of reasons. For one, this particular black metal band hails from Germany. Freiburg, to be more specific. And we all know where I stand on the black metal scene currently emerging from that particular region of the world (here’s a clue: I like it). But secondly, the band name in a reference to a very northern town in Norway that was home to the late Robert Burâs, a prominent name in extreme metal, and a name each member of this band thinks highly of. Coincidentally, is also the hometown of a few relatives of mine — relatives I’ve been trying to visit for some time. Story time over. I was both curious and excited to check this effort out, and overall it is a quality representation of black metal, even if it doesn’t necessarily seem do a ton to stand initially.
Germany is not a country known for it’s doom. Particularly moody doom with a touch for extended intros descending into atmospheric passages. But that’s exactly what Germany’s Into Coffin deliver across their debut LP. With nothing but a short demo under their belt, Into Coffin, sharing members with Infuria and Omnivore, deliver a surprisingly put together albeit lengthy, debut, Into a Pyramid of Doom. Continue reading