Falls of Rauros is a band that’s always been on the periphery of my awareness. I’d check out an album now and again, kind of dig it, but move on quickly. When I saw that their new album, Patterns in Mythology, was announced by Gilead Media, alongside the new False and Yellow Eyes (absolutely top of their game black metal offerings), I perked up. I try not to assume quality based on label, in general, but Gilead Media has a hell of a track record. So I wasn’t surprised (or maybe I was), when Patterns in Mythology blew me away.
Summer is my favorite but even I’ll admit that it’s hot. I mean, skin melting hot or even better, swamp ass hot. Seriously, the early morning dark gives up 92% humidity and a real feel of 95 when the actual temp is 80ish. So yea, time to find a cool mountain stream or something. Anyway, short list of new metal this week so let’s get to it…
Tomb Mold is one of those rare bands that started out on fire but on their third full length of stellar death metal, they’ve hit a whole other level of superiority. Much the same can be said of Falls of Rauros fifth full length — and debut for Gilead Media — of folky, atmospheric black metal – all roads of this band’s past lead here, period. Rogga Johansson’s involvement list over the years reads like a mile long rap sheet which means this dude is so well versed in the ways of death metal that his latest solo effort bleeds straight up insanity in the best kind of way. And then there’s WORMED, capitalized for a reason – these guys make technical death metal look easy as they continue the wild tale of Krighsu, the last human in the cosmos. Put that in your cosmic pipe and smoke it.
Do the thing and jump in there, the quality continues even though the quantity wanes, temporarily. I’ll be over here taking an ice bath.Continue reading →
Let’s start with a statement: there was no reason for False to make this album. And by “this album” I mean Portent. There are plenty of reasons for the Minneapolis black metal six-piece to record a second full-length, but they could have easily stayed the furious course they were on and kept things as they were, and I’m sure they would have been just fine. Instead, and maybe to no one’s surprise, they took all the rage and fury and bound it with majestic melodies and structure, which rather than keeping the songs shackled to the ground, allows them to fly. All of which goes to say Portent is the best thing False have done to date. Continue reading →
Sure hope your 4th didn’t consist of off-time fireworks, as in until 1 or 2am for the entire damn weekend. If so, I have a roll of razor wire with your name on it but you’ll have to share with tons of folks surrounding me – no worries, I’ve got many rolls to go around. For those of you who didn’t have the day off or don’t celebrate, I’m sure it was just another Thursday. Anyway, new metal time and it’s another stacked week so here we go…
False turn in a blistering and all encompassing performance on their second full length of long form black metal and in case you missed it: False rule. Torche may be the AC/DC of party-fuzz-sludge but their fifth full length finds them back in fightin’ strength and rockin’ like it’s 2012 all over again (do some diggin’). If you’re still reeling from the battle of the Batushka’s consider this week’s offering as yet another hot bomb of epic, dark, and spiritual black metal to keep the irons of war hot. Last up top, but not least in this list, is the wonderful chainsaw buzz of Swedeath on Burial Remains’ killer debut.
Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Yellow Eyes’ Rare Field Ceiling and Founders Brewing Company’s KBS Stout. Continue reading →