Embracing the Descent: March 8 – 14, 2020

EMBRACING TEMP LOGO

Welcome back to another edition of Embracing the Descent and another opportunity to see a post that’s been collecting dust for quite some time but will give you reason to second glance the albums contained within. Quick recap: brief discussion on a handful (small handful) of the current week’s new releases that stood out for whatever reason and maybe, from time to time, a week behind or whatever.  Jump in and don’t forget to check out the full listing from Monday’s Initial Descent Continue reading

Nine Circles ov…Napalm Death

napalm death band

Years before I had heard a single note it was the logo, the way the letters seemed scratched in flesh, sinister crosses embedded in the “N” and “M” signifying something I wasn’t prepared to listen to…yet.  By the time I finally opened up to the grand progenitors of grind, Napalm Death, it was during their post-2000 resurgence, and my purchase of their compilation Noise for Music’s Sake led me down a rabbit hole of the most exquisite display of passionate anger and rage this side of the universe.  Between 6-second bursts of grind, impeccable artwork, and some of the most biting social commentary ever put to paper, the arrival of a new EP and a new full length on the horizon makes this a perfect time to dedicate a Nine Circles ov... to one of the best bands to ever carry the tag of “extreme” in their music.

Let’s do this. Continue reading

The Nine Circles Audio Thing: Vomit Fist’s Nick and Leo Didkovsky on new album “Omnicide,” the (un)importance of genre tags, Frogvasions, and much more!

Vomit Fist

After five long years Vomit Fist just released Omnicide and it seriously challenges the basis for genre tagging in the sense that they’ve taken the blackened grindcore from their debut, Forgive But Avenge, and molded it into a forward thinking art form. It’s wild, reckless abandon one second and jazzy exploration the next but even that explanation is selling its many successes short. Then there’s the fantastic lyrical narrative here that continues the story from the debut and the words themselves which are, again, their own art form. To put it another way, there’s so much to unpack with this album that a few sincere listens just won’t cut it, it deserves some serious time and attention to truly capture everything the band has to offer. So, head below for the details.
Continue reading

Receiving the Evcharist: Cloud Rat and Hamaica Cider

Receiving the Evcharist 2018

Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations.  Drink from the cup of heresy. This week’s offering: Cloud Rat’s Pollinator and Golden State Cider Company’s Hamaica Cider.   Continue reading

Second Circle: Takafumi Matsubara and No One Knows What The Dead Think

In Dante’s Inferno, the second circle begins the proper punishment of Hell, a place where “no thing gleams.” It is reserved for those overcome with Lust, where carnal appetites hold sway over reason. In Nine Circles, it’s where we do shorter reviews of new (ish) albums that share a common theme.

In today’s edition of Second Circle we take a look at the latest releases from grind legends, who happen to share a magnificent collaborative past (Gridlink, Hayaino Daisuki) and have now reached stunning creative apexes with their respective new albums. Whether it is pure serendipity or part of a divine plan that these albums are released on the same day only adds to their allure. So let’s dive head first into the unhinged brilliance of Takafumi Matsubara and No One Knows What The Dead Think. Continue reading