Happy Halloween, IT IS UPON US. I’ve loved this day since being a kid and even though there’s no bag of candy for me come night time, I’ve had a treat bag full of horror movies since the month changed. But really, that’s an all year thing and no excuses needed. My point? There’s not one, ha. Anyway, speaking of horror and new metal releases, we’ve got two extremely well timed picks kicking the week off from Acid Witch and VHS that show just how thin the veil between horror and metal is. Following that we’ve got a banger from Black Anvil, more death metal from Ingested, and many more treats in the list that follows. Why yes, there might be some tricks here too but you’ll have to see for yourself. Be careful out there tonight with all the kiddos wandering around and by all means, watch a horror movie (PSA: Screambox is premiering Terrifier 2 today for those of us that didn’t have the option of a theater viewing and they offer a healthy free trial). Jump below and investigate, we’ll see you here throughout the week.Continue reading
Botflies. Old Scratch’s botflies. Shiver me timbers that was a rough one to get away from and all of a sudden I’m a pirate. Last week I was a bit predisposed but I’m back basically because Old Scratch wants his music on display. And that, we do and do well. Exactly what you might be wondering…read on, dear reader…
In Gladiator, Russel Crowe asked ‘are you not entertained?’ and because of Plague from the UK’s Mastiff I will now ask ‘are you not entertained by the heaviness?’. Seriously, this band finds new ways to make sludge, hardcore and grind heavier than a really heavy thing. Ossuarium continues the heavy theme but in an old school nasty death metal vein on Living Tomb, Tennessee’s Thetan bring the power and the violence and the hardcore on sophomore effort Abysmal, and Unendlich hit the right combination of melodicism and second wave black metal on Thanatophobia.
Now, if I can just keep those botflies from ruining my hard drive…dive in below while I find an electric fly swat. Continue reading
Baltimore’s black metal entity known as Unendlich return next month with their latest full length Thanataphobia which comes quickly on the heels of last year’s EP Misanthropic Sedition. Unendlich, in German, means infinite / without end and that would certainly make sense with their quantity of output since forming nearly five years ago but in this context it would seem it’s a descriptor of mastermind Michael Connors plentiful creativity. He has found unique ways to meld Scandinavian and US black metal into a melodic force with philosophical lyrics and ideals in lieu of your standard satanic fare. And with Thanataphobia, the sound is pristine and clear which is a welcome progression from their previous outings. Ahead of the album’s release, we had the chance to mull over our Profile questions with Connors and he was more than gracious in giving us the details. Head directly below to see what he had to say and if you like what you hear from the embed, throw him some support. Continue reading
If you’ve missed out on Philadelphia’s GOD ROOT, fear not as they will be releasing their second full length, Salt and Rot, next week. Avant-garde, tribal and sludge are but a few things on offer with this new, meticulously crafted album but overall it’s a 33 minute journey into escape and exorcising things you have no control over. And as we all know there is plenty of that in the world. The trick here is in how this album is written and pieced together, one track is ritualistically tribal for a build up of sorts and the next is a sledgehammer of sludge that comes off strangely cathartic. It’s an albums worth of material that is unlike anything you’ve heard but will quickly become something you can’t live without. Ahead of the album’s release we got a chance to ask Ross Bradley (bass/vocals) our set of Profile questions and he was more than generous with his answers so read on to see what he had to say.
Sigil‘s debut album, Kingdom of the Grave, is a fun little thing. Perhaps that’s to be expected when your core sound combines Wolverine Blues-esque death metal with crusty, D-beat-driven overkill, as is the case with these Texans. Still, putting the pieces together on paper and doing so on a record are two entirely different phenomena, so it’s to the band’s credit that they’re able to walk the walk on that count. Despite some notable shortcomings, it’s ultimately a decent album that’ll put a big, stupid grin on your face and make you want to jump in the pit and thrash about. Continue reading