Hey, wasn’t I just saying that I’m really interested in how countries and landscapes shape the people who live in them and, thus, the music that is created there? While Norway might not be a new country for me to check off my list, I always find it interesting that there is something intangible that ties all genres of music from a particular place to that place, whether it’s death metal or jazz or electronic music or whatever you like. In the case of Marius Leirånes, that place is a very specific one, and the stories told on Langtidsperspektiv are the stories of what has shaped him to this day and how that home has played a part in it all.Continue reading
I haven’t spoken much about it in this column, but 2021 has kind of been the year of post-rock for me, at least behind the scenes. Spoiler alert, no less than three of my favorite non-metal albums this year have been post-rock albums and I see no signs of slowing that pace down for the second half of the year. I’ve always had a love for the swirling, haunting and highly textural genre, and one of the relatively unrecognized titans of the scene has been postcards from new zealand, who, with their newest full-length, we watched them devour, vol. 3: city islands, have been cranking out a torrent of great releases to further the genre.Continue reading
If you’ve listened to Kauan before, you’ll know that really processing what you’re hearing on a given record of theirs can be a bit of a tricky proposition. Some bands are quick hitters, while others work better in slow-burn settings. Kauan, however, has excelled consistently in both contexts. They strike the listener immediately with immense, sorrowful beauty, but their work is so rich that fully “unlocking” a song or album of theirs on your first listen, or even your fifth, becomes nearly impossible. To truly “get” this band, you need to put the time in — and that remains the case on their latest album, Ice Fleet.Continue reading
Welcome back, friends! Today we have something special going on in the way of a two-for from Pelagic Records. As you already know, Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offerings: MONO’s Beyond the Past: Live in London with the Platinum Anniversary Orchestra and Pelagic Coffee’s The Great Dying.Continue reading
Sunday’s are reserved for metal adjacent things that you shouldn’t miss out on. Call it a Rainbows in the Dark Profile edition or Rainbows in the Profile. Either way, the UK’s Poisonous Birds just released a stunning EP, We Can Never Not Be All Of Us, that’s as much electronica as it is lush, cinematic post-rock. However, simple genre tags are rendered useless across these six tracks of highly charged, highly emotional, and extraordinarily detailed art. The title was taken from a Bon Iver podcast in reference to tensions on the Texas border but with current events it has become even more timely. Simply put, this is an EP that not only was born from an important message but also has the power to soothe at a time when we all need it most. We recently had the chance to ask Tom Ridley (vocals, electronics, production) our set of Profile questions so read on below to see how it went down. And, be sure to pick up a copy of the EP from the links contained within.