Profile: Simon Ohlsson of Progress-edelic Metallers Vokonis

Vokonis

Progressive and psychedelic (hence progress-edelic), in metal, can mean varied results that most often lean towards too much effort and not enough payoff, but in the case of Vokonis’ third full length Grasping Time, it means a band that is forward thinking AND top of the class in these particular styles. The album effortlessly meanders between the sensibilities of Ufomammut and the heft of Khemmis without ever being a copy of either on this 45 minutes of sheer bliss – seriously, this album is great and the band finally has a clear and unique identity. On top of that, Grasping Time is their best and tightest effort yet; the songwriting is better and never falls flat, the riffs are huge, the melodies are addictive, and the vocals are pristine with exceptional range. Just ahead of the album’s release we reached out with our set of Profile questions to get the backstory and Simon Ohlsson (guitars, vocals) responded, so head directly below to see how it went down and DO NOT miss this opportunity to grab a copy for yourself – links contained within. Continue reading

The Nine Circles Audio Thing: A Forest of Stars was September 2018’s Album of the Month!

Nine Circles Audio Thing

Hey, we’re late again! A little less late than last time, but…still late! Huzzah! Anyway, we’re back with another edition of our Album of the Month series. In this edition, we’ll be chatting about A Forest of Stars and their latest effort, Grave Mounds and Grave Mistakes — our album of the month pick for September! Continue reading

Album Review: Uncle Acid and the Deadbeats – “The Night Creeper”

Uncle Acid and the Deadbeats - The Night Creeper

Since their inception in 2009 Uncle Acid and the Deadbeats have traversed the fuzzed out, scuzzy, and psychedelic realm of the metal world over the course of three full length albums. Now with their fourth release, The Night Creeper, they continue this journey but delve deeper into the darkest corners of crime infested back alleys and bring to life a long lost time of grind house horror. It’s not new territory, but here it all has a more ominous, visceral, and dangerous tone. Continue reading