Outside of metal so much happened this year that it really is mind boggling to think back on it. We lost visionaries and legends, witnessed violence of epic proportions, politics took a huge dive into the void and negativity seemed to reign supreme. And all that is barely scratching the surface. I’m definitely not going to be the one to say that 2017 WILL be better but I will say — let’s attempt to make our little corners of the world better, be better to each other and approach it with some semblance of positivity.
On the flip side of the coin, 2016 was about as strong a year in metal that I personally have seen in ages which was a great thing considering the state of affairs otherwise. As usual, metal was my comfort food and the offerings were bountiful. With that said, making a best of list was extremely difficult. What made the cut is only a fraction of my favorites but they represent what I listened to and enjoyed the most but also are the ones that I returned to an insane amount of times and for endless reasons. Stick a fork in 2016 and let these champions ride you out on a high note. Continue reading →
Here we are at the dawn of October. One of the finest months of the year, obviously. What better way to kick it off than with a stacked list of metal that is as varied as the many horror movies you need to watch over the next 31 days. Anyway, Initial Descent knows you need it so, this week we have the amazing new album The Dark Hereafter from Winterfylleth, a jazzy avant-garde self titled debut from Brain Tentacles, Okkultokrati‘s Raspberry Dawn that is satan rock at it’s finest and of course Sorceress from everyone’s favorite target Opeth. For everyone still mad about the whole no death metal thing, news flash, they’re still great. Also Veilburner returns with their third full length of inherently evil and challenging black/death/experimental The Obscene Rite and Halshug cracks the earth in half with their brutal new album Sort Sind. Plenty here for you to enjoy so without further delay, get busy after the jump. Continue reading →
On Veilburner‘s third full length in as many years, The Obscene Rite, the band not only closes a conceptual and ideological trilogy but offers their most comprehensive and cohesive album to date. After hearing this multi-jointed approach cohesive may not be the first choice of descriptor. But after the scathing black/death metal from The Three Lightbearers and the progressive, oft times experimental song structures from Noumeneon this album combines and expands on both. It’s not an easy first listen but that’s precisely what makes it so magnetic. Continue reading →