RETROCUTION: Perturbator returns with new album, “Lustful Sacraments”

Perturbator - Lustful Sacraments

I’m not gonna lie, it feels kinda weird to resurrect my Retrocution column for the first time in more than a year… with an artist who, by his own account, has been actively trying to move away from “conventional” synthwave for a while now. But for James Kent, I’ll make an exception.

After all, Kent’s work as Perturbator was one of my earliest exposures to synthwave. I wouldn’t be anywhere near as big a fan of this music — maybe a fan at allif not for Dangerous Days. So even though my tastes within the genre have since shifted a bit more toward the pop end of the spectrum, I tend to listen whenever Kent drops something new — conventional or otherwise. And in the case of his latest effort, Lustful Sacraments, the listen proved to be quite an excellent one.

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Perturbator’s James Kent on “Lustful Sacraments,” background in black metal, synthwave history, horror, and much more!

Synthwave is one of those genres that has become a go to for metalheads due to its horror movie kinship, its wildly creative sound and its imagery which at times can mirror some of extreme metal’s most enduring gorehounds. Perturbator and James Kent have been at the tip of this spear since Terror 404 back in 2012 and has shown more and more growth and depth on each successive album. Now, with Lustful Sacraments, the band dive further into the industrial side of the synth coin but do so in a way that doesn’t leave anything behind. Think of it as an experiment gone incredibly right. Head inside for an in depth discussion via The Nine Circles Audio Thing.

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CANTO: Alcest, Heaven Shall Burn, Vader, and More

alcest band

Squeezing one more in this week while I have a minute to breathe.

  • Something entertaining worth checking out this Friday afternoon: Alcest’s remixed version of “Sapphire”. It was remixed by Perturbator… aka James Kent. That’s probably all the information you need to be sufficiently enticed.
  • Vader have unveiled the artwork for their upcoming new album, Solitude In Madness. That drops on May 1st through Nuclear Blast, and pre-orders are available at this location. They also have some European tour dates coming up.
  • My Dying Bride have an awesome new album out today, titled The Ghost Of Orion. In light of that, listen to Aaron Stainthorpe and Andrew Craighan discuss “To Outlive The Gods” and the accompanying video.
  • Check out the new video from Heaven Shall Burn for the new single “Eradicate”. Of Truth And Sacrifice will be out March 20th through Century Media. These guys are fun, I’m going to continue to pay attention to their going-ons.

 

“Ein Bier… bitte.”
– cmb

CANTO: High On Fire, Dead To A Dying World, GosT, and More

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Happy Monday. I had basically half a tooth replaced today, which was fun.

  • Let’s start with the obvious and congratulate High On Fire for winning a Grammy last night. Those awards mean absolutely nothing, but at least a metal award went to an actual metal band, and not, like, Tenacious D.
  • Updates from Dead To A Dying World are always welcomed. Having joined the Profound Lore roster, the Texas-based dark metal band have announced their next album, Elegy will be out April 19th. And I cannot fucking wait.
  • Here something for the darker synthwave fans out there. GosT has announced a North American tour with Perturbator. The dates run through April and May and I can think off a few people that are going to jump on this immediately.
  • How about a new video from Visigoth? Yes? Yes. Ok. This is “Traitor’s Gate” from Conqueror’s Oath.

“Ein Bier… bitte.”
– cmb

The Nine Circles ov…How I Became a Synthwave Fan

synthwave

After what feels like an eternity in the “development” stage — damn you, nursing school! — we’ve finally gotten our Retrocution column going here at Nine Circles. And damn, does that feel killer. I’ve gotten to a point in my music listenerdom where I’m listening to as much of this stuff as I do metal, if not more — and my attempt to build out this column certainly isn’t going to change that trend.

But, one thing said attempt has done is, it’s gotten me to look back at exactly how I got into this stuff. For a long time, I couldn’t — or never really tried to — pinpoint that. If asked why / how I got into the genre, I’d give a generic answer about “the aesthetics” or something, and just shift the topic to the genre’s latest offerings. And to be fair, “the aesthetics” are certainly part of the equation — but the music is the truly important part, and I’d never given any real thought to my foundations on that side.

So, let’s change that, shall we? Without further ado, I present The Nine Circles ov How I Became a Synthwave Fan. Continue reading