Welcome back to number 101 folks. We may have just hit mixtape number 100 in our weekly series, but the confetti is all swept up and we’re back in business mode here at 9CHQ. Just kidding, it’s always a party when we do these things, because we love sharing music with you all. This week, I’m in Yeehaw Mode (TM), our interview wizard Matt is loving the new Toxic Holocaust, and the return of Castle Metal gives us all something to be grateful for. Check out these and much more (ed: and DEATH METAL) below.
I had a plan in January. The same plan I have every January: to only document the albums that strike a major chord in one way or another. Yet, here we sit in December and I’m debating on at least one or two of my locked list and mourning those who fell off. Don’t take ‘fell off’ as a knock either. It simply means there was no shortage of amazing albums this year and well, I just enjoy the torture of whittling away on my favorites (not).
I’ve spoken at length about how important music is for life in general and how important it is for me as someone that had a finger on the play button for nearly all 8,760 hours that made up this year. EOY lists, I love them – always have and always will. It’s a chance to purge all the best and move on to yet another cycle into the unknown. Fire walk with me through the albums that hit home the hardest… Continue reading
What does music do for you?
In the end, it’s the only question that matters. An admittedly hard question to hear, what with the screaming of every opinion in every corner of the internet, but in the end when you step away from the noise and muck of screen shouting and scene guarding it’s your opinion in the end. Every year that I’ve written an end of year list for Nine Circles it’s been a variation of the same theme: when we write about music, we’re writing about ourselves. What matters is what the music does to you, and only for you.
But what’s the point, if you’re really only writing for yourself? Continue reading
Sometimes you hit that point in your inbox where you just want to take the poor thing outside and put it out of its misery. The glut of things unassigned, unread or untouched is a sight to behold. We tread in fear of accidentally clicking on a link and having the whole thing fall in on our heads, Romanian hardcode tolling against the latest skate punk out of California busting heads with Australian progressive black metal and whatever the hell that weird buzzing sound is coming out of Europe.
It is, as they say in the parlance of the time, swole.
So for this edition of Nine Circles ov…. I thought I’d try to run through a few recent releases and give them a little space here on the site, and also ease the burgeoning hemorrhage our inbox is suffering. But time is short, and I can already see the next wave of promos coming in, so we’re gonna make this quick and relegate each release to a single sentence. Ready? Set? Go! Continue reading
With a Profile appearance and a top slot in Initial Descent, Brazil’s Piah Mater have made a big impact, with their forthcoming The Wandering Daughter, here in the halls of Nine Circles. Their truly progressive approach to death and black metal is robust, forward thinking and memorable. Now, I know progressive is a term that gets thrown around a lot these days but when a band actually favors or promotes change and innovation within their music as this trio does they’ve earned the right to flaunt the tag with impunity. Today, we are extremely pleased to bring you a premiere of the album’s second track “Solace In Oblivion” which is an excellent example of everything just mentioned and furthermore is an ambitious statement for a relatively young band. Head directly below to hear and experience it for yourself. Continue reading