Creeping Death’s Trey Pemberton on EP “The Edge of Existence,” Ohio State football, readying for an upcoming tour, MMA training, Riley Gale, and much more!

Creeping Death

The Edge of Existence is Texas based Creeping Death‘s third EP, but follows from their bludgeoning 2019 full length Wretched illusions. Death metal had no idea what it was in for when this band formed and called it its own. Their sound is immediately violent yet has a groovy, melodic edge to it that makes for fast kinship amongst fans of metal far beyond just death metal. Reviews came fast and furious for the full length and it seemed the band was an overnight success, rightfully so since said full length was such a hammer to the face of death metal that so many just couldn’t get enough of, and us included. With that said, head inside for an in depth discussion with guitarist Trey Pemberton via The Nine Circles Audio Thing.

Continue reading

Album Premiere: Unholy Desecration — “Unholy Horde”

unholydesecrationcover

Tomorrow, Unholy Desecration are releasing their debut full-length album to the world, Unholy Hordethrough Confused Records. Start to finish, it is a tremendous display of blackened death metal and is absolutely an album you won’t want to miss. And today, however, we are thrilled to share this beast of a record a little early and ensure it gets on your radar. Give it a listen, end to end, after the jump.

Continue reading

Throwback Thursday: Absu’s “Barathrum: V.I.T.R.I.O.L.” turns 25!

absu-barathrum-vitriol-cover-art

I think this is the first time since I’ve started doing these Throwbacks again that I’m actually nailing an album look-back post down on its actual birthday. Progress, folks! Anyway, today we’re here to celebrate Absu. Over close to three decades, the world’s come to know these Texans as a pretty much unimpeachable institution of black / thrash metal. But on their debut full-length, Barathrum: V.I.T.R.I.O.L. — which turns 25 today — the then-quintet actually leaned more toward death metal than anything they’ve done since. Unsurprisingly, there was still a healthy amount of theatricality to it. Even less surprisingly, it’s still worth your time. Continue reading

Interview: Flesh Hoarder on New Album Homicidal Necrophile, Brutal Death Metal and How The Band Manages To Find the Wretched Switch In Their Listeners

Flesh Hoarder
Flesh Hoarder

As a site that features regular metal related content, we get a staggering amount of music in our inbox. Sites similar to ours can relate and you writer types can as well. Bottom line is, with this much music to comb through we tend towards desensitization to what’s coined as ‘extreme’ and ‘brutal.’ But when I heard the intro, “Between Life and Death,” from Flesh Hoarder‘s debut full length Homicidal Necrophile it awakened that primal need for the kind of brutality I had latched onto early in my death metal exploration so many years ago. And as the songs ticked by, I noticed that spot in my stomach that hadn’t churned in awhile reared its ugly head — right then and there I knew I had hit on a gold mine. Brutal death metal is nothing new and there’s always been a smorgasbord of blood and guts to choose from but there’s something ultimately wicked and terrifying in this Texas based band’s delivery that stands out from the crowded pack. After a few hours of this album on repeat I had to know more so I reached out to guitarist Mike DeLeon to discuss the new album, brutal death metal in general and how they were able to hit that ‘pit in the bottom of your stomach’ feeling so easily. Read on to see what he had to say and be sure to grab your own copy on May 11 — links contained within. Continue reading

Album Review: Sigil – “Kingdom of the Grave”

Sigil - Kingdom of The Grave

Sigil‘s debut album, Kingdom of the Grave, is a fun little thing. Perhaps that’s to be expected when your core sound combines Wolverine Blues-esque death metal with crusty, D-beat-driven overkill, as is the case with these Texans. Still, putting the pieces together on paper and doing so on a record are two entirely different phenomena, so it’s to the band’s credit that they’re able to walk the walk on that count. Despite some notable shortcomings, it’s ultimately a decent album that’ll put a big, stupid grin on your face and make you want to jump in the pit and thrash about. Continue reading