Friday night. Bourbon. Metal. This is how we do it here at Nine Circles. I’ve been listening nonstop to the new Wormrot record that came out on 7/8. It’s a monster, and they’re probably the best grind band out there right now, in my humble opinion. But before we hit that up I have some internet surprises that hit me in just the right spot…maybe they’ll hit you, too.
Elsewhere Josh has everyone in a frenzy with new music from Psycroptic and Municipal Waste and Trapped In The Morgue…and then slays with a classic cut from one of my favorite Death records. Vincent is up next and he’s serving some new music from Cloud Rat and the new project from the folks in Yellow Eyes called Sunrise Patriot Motion before hitting some old school sounds from Pianos Become The Teeth. Next up is Angela charing the plains with Amon Amarth, followed by some Telekinetic Yeti and The Chasm. Finally Ian returns and lays down some Woods of Desolation, Svalbard, First Fragment and then a whopper of a track from the Violent Femmes because you know you all love “Blister in the Sun” as much as we do. And since we’re a little short today and it’s what I’m currently listening to as I write this there’s a massive jam from Grand Funk Railroad just to shake things up. Make of that what you will – they were featured in an issue of Decibel SO IT COUNTS!
Welcome to the future, everyone. I spent the last day of 2021 applying beauty masks and drinking champagne with my wife and son because you know what? That shit felt NICE. Even the boy admitted it it was cool, although I suspect his favorite part was the horror of peeling the mask off like dead skin. Yes, we had Slayer playing in the background…couldn’t resist.
To kick off 2022 and the 212th edition of the Nine Circles Playlist I put on my metal playlist and hit random to see what came out, so you’re getting the year off to a brutal start with some Unanimated and Chapel of Disease, as well as some classic Katatonia. Josh comes into the year guns blazing with some Wommbath, Barghest, and Everclear before finishing up with the ripping live Corrosion of Conformity. Vincent changes the mood a bit with The Hotelier, Alcest, and King Woman before Jon comes out of the snow to go full tech death, blasting some new Allegaeon, Spawn of Possession, and Archspire. Anton continues to play the left field choices, bringing in some choice cuts from his AOTY band Code as well as tracks from Eschatos and Fleshvessel. Bringing up the rearguard this time is Buke, and as awakes he’s ready with the classic of the genre, from Ahab, Death, Manowar, Saviours, and even a little Trivium.
That’s it. We’re officially in the new year. Let’s see if we can make it better than the last two, huh?
Check out this quarantine jam of Death‘s “Overactive Imagination”, featuring Jason Bittner (Overkill/Shadows Fall), Felipe Roa (Shadows Fall), Bobby Koeble (Death), and Steve Di Giorgio (Testament/Death).
Two weeks removed from Part 1 and we’re not out of the woods. And, quite to the contrary, we’re in the thick of it. Threat level 100….I guess. So much uncertainty, so much unknowing, so much virus, so much panic, so much hoarding, so much of all the bad stuff. We’re all tired of the ‘so much’ and it seems this thing is just getting a head of steam. Anyway, we’ve got a nice set of tunes to help push back the virus scares and bring forth the headbang; we’ve got Death, Obituary, Eyehategod, WASP, Katatonia, KISS, Mortician, and so much more. Indeed, all the bands you’d hold dear when trying to exorcize some demons and/or some asshole virus. So, jump inside that play button immediately below and try to forget, for just a second, what’s happening outside our windows. Maybe, just maybe, you find some sort of normalcy for a fleeting moment.
Jesus what a week. I thought I might be done eulogizing after Neil Peart’s tragic passing, and then immediately following that post I found out Sean Reinert passed away. I’ve never made it a secret that Human is my favorite death album, and as much as I love everything Chuck does, it’s because that album has what is, in my opinion, his best backing band. The Reinert/Masvidal/DiGiorgio combination that lead to songs like “Together As One” and “Lack of Comprehension” was incomparably important to the world of heavy music, to say nothing of Reinert and Masvidal’s accomplishments in Cynic on top of that. Heavy music lost nothing short of an icon, one of the best drummers in the game and a tireless voice for acceptance and inclusion in the world of heavy metal. I’ll be feeling this loss for quite some time, but we can and will still celebrate the work Sean left us with. — (ed.) And, of course, Reed Mullin, RIP and fly on brother. Death needs to take a break.