This is what I remember about Noisem when they hit the scene with their debut Agony Defined back in 2013: Death/thrash/grind played by a bunch of young upstarts. Loved the classic 80s era cover, didn’t care for the music. Everyone and their brother proclaimed the band as the “next big thing” with the arrival of 2015’s Blossoming Decay. And it was…fine. Nothing that compelled me to put them on a pedestal. But lo and behold four years later brings a new album I’m told I NEED to listen to and, what do you know? Cease To Exist manages to finally get me to sit up and take notice by making good on the promise of those awesome album covers. Continue reading →
Rain. Rain. More rain. I just can’t deal. Soooo tired of it and ready for dry and summer and longer days. Well, one out of three ain’t bad and if you read that and said ‘dammit, totally forgot to spring forward on my clock’ good luck explaining that one to the boss – happy Monday. We have a fix for the blahs though and it comes in the form of new metals. Read on friends…
It’s safe to say we’ve established Venom Prison as complete bad-assery and on Samsara they kick their venomous death metal up several notches since their last outing – is that even possible?! Anyway, everything about this album topples Animus and that’s no easy feat nor is it a slight to that album in any way, the band has grown and it’s obvious during the opening salvo of “Matriphagy.” Moving along, Noisem returns with a new lease on life and a new attitude on Cease To Exist which finds them stoking their death thrash with extremely confrontational grind and it’s a sound to behold. Next up is the debut, Nocebo, from MA’s Elizabeth Colour Wheel and the blackgaze tag seems too simple after the onslaught of 90s rock, noise and ethereal moments of bliss found all over this thing – it’s hard to pin down but it is a journey best left travelled and enjoyed, I very much have enjoyed it – just sayin’. Last up top is progressive death metal stalwarts Fallujah with their fourth full length Undying Light which finds them, once again, toying with tech death, blackened stylings, and proggy structures – definitely a step up and one you won’t want to miss.
Feeling better? See? I knew it and glad we could help. You’re welcome. Now, get to the rest of this list… Continue reading →
Good morning, it’s time to metal. Here’s some news you might have missed from the last couple of days:
Leading off, Noisem have announced the departures of guitarist Yago Ventura, bassist Billy Carnes and vocalist Tyler Carnes. That leaves the Phillips brothers and new vocalist Ben Anft, also of Castle Freak. At least there’s a new album in the bag?
As part of our ‘Best of 2015’ series that will continue over the next two weeks, we will also be featuring the top albums of a number bands and musicians within the genre we love so dearly. So, without further delay, allow us to kick things off with Castle Freak, the death metal/grindcore group out of Philadelphia. Guitarist Zak Carter was generous enough to share his ten favorite albums from 2015.
Last month saw the release of Blossoming Decay, the second album from death / thrash / grind upstarts Noisem.The band had already built up an impressive following on the heels of their 2013 debut, Agony Defined, and they continue to amass new fans and supporters through a near-constant touring schedule. Young though the band members may be, they’ve built up the resume and presence of seasoned vets. That tends to happen when you play with everyone from metal elites to local talent and lay waste to any venue that will have you.
Ahead of a new tour with Iron Reagan and Angel Dust—set to kick off this evening in Noisem’s native Baltimore—we got the chance to speak with bassist Billy Carnes and guitarist Sebastian Phillips about the writing process behind Blossoming Decay, taking the songs live, and more. Here’s what they had to say: